The Ethics of (In-)Attention in Contemporary Anglophone Narrative

Jean-Michel Ganteau is Professor of Contemporary British Literature at the University Paul Valéry Montpellier 3 (France) and a member of the Academia Europaea. He is the editor of the journal Études britanniques contemporaines. He is the author of four monographs: David Lodge: le choix de l’éloquence (2001), Peter Ackroyd et la musique du passé (2008) The Ethics and Aesthetics of Vulnerability in Contemporary British Literature (2015), and The Poetics and Ethics of Attention in Contemporary British Narrative (Routledge 2023). He is also the editor, with Christine Reynier, of several volumes of essays (Impersonality and Emotion, Autonomy and Commitment). He has also co-edited with Susana Onega several volumes on trauma, vulnerability, transmodernity and grievability (The Poetics and Ethics of (Un-)Grievability in Contemporary Anglophone Fiction, 2023). He has published extensively on contemporary British fiction, with a special interest in the ethics of affects trauma, the ethics of vulnerability, and the ethics of attention. Susana Onega is Emeritus Professor of English Literature at the University of Zaragoza. She was granted the Miguel Servet Award for Research Excellence by the Government of Aragón in 2021. She belongs to the Research Institute of Employment, Digital Society and Sustainability (IEDIS), to the excellence research team “Contemporary Narrative in English” (code H03_17R), financed by the Aragonese Government and the European Regional Development Fund (DGI/ERDF), and participates in a national project (PID2021-124841NB-I00), financed by the Spanish Ministry of Economy, Industry and Competitivess (MINECO). She has written extensively on contemporary fiction, narrative theory, ethics and trauma and the transition from postmodernism to transmodernism. She has edited or co-edited fourteen volumes of collected essays (eight with Jean-Michel Ganteau) and is the author of five monographs, including Form and Meaning in the Novels of John Fowles (1989), Metafiction and Myth in the Novels of Peter Ackroyd (1999), and Jeanette Winterson (2006). She is currently coediting with Jean-Michel Ganteau the Brill Handbook of Literary Criticism and Ethics

List of Contributors

Acknowledgements

Introduction: The Ethics of (In-)Attention in Contemporary Anglophone Narrative

Jean-Michel Ganteau and Susana Onega

Part I

Frames and Readers

1. “The thing was to make yourself invisible, she said”: Jon McGregor’s Reframing of the Norms of Perception of Working-Class Women in So Many Ways to Begin.

Susana Onega

2. Attention to What? The Poetics, Ethics and Attentional Economies in Dave Eggers’s The Parade.

Miriam Fernández-Santiago

3. Interstitial Ethics: Attending to Frames of Intelligibility in Harry Parker’s Anatomy of a Soldier.

Katia Marcellin

Part II

Historical Invisibilities

4. Attending to the Victims of (In-)Visible Violence: Elided Potentialities Revisited in Claire Keegan’s Small Things Like These.

Merve Sarıkaya-Şen

5. From Shrouded Presence to Impactful Mentorship: Drawing Attention to the Romani Housewife in Mikey Walsh’s Gypsy Boy.

Alejandro Nadal-Ruiz

6. “Creating a Scene: Minor Literature and the Ecologies of Critical Attention.

Ivan Callus

Part III

The Forces of Inattention

7. Surveillance and (In-)Visibility: Reading Jenni Fagan’s The Panopticon through an Ethics of Attention.

Ángela Rivera-Izquierdo

8. “I can’t be silent or invisible any longer”: Reorienting Attention and Care in Jan Carson’s The Last Resort.

Paula Romo-Mayor

9. The Ethics of Carelessness: Inattention in Kazuo Ishiguro’s Never Let Me Go.

Alice Bennett

Part IV

The Natural World

10. The Ecology of Attention in Inga Simpson’s Where the Trees Were.

Bárbara Arizti

11. Vibrant Matter, Polyphony and the Ecology of Attention in Sarah Moss’s Summerwater.

Angelo Monaco

12. The Sharpness of the Post-Pastoral: Melissa Harrison’s At Hawthorn Time.

Jean-Michel Ganteau

Index