The Historical Contexts and Contemporary Uses of Mass Observation -

The Historical Contexts and Contemporary Uses of Mass Observation

1930s to the Present
Buch | Hardcover
248 Seiten
2024
Bloomsbury Academic (Verlag)
978-1-350-21575-7 (ISBN)
105,95 inkl. MwSt
The Historical Contexts and Contemporary Uses of Mass Observation embraces new approaches and themes that highlight Mass Observation’s long history as an innovative research organization, a social movement, and an archival project. Spanning the period from Mass Observation’s inception to the present day, essay authors discuss a wide range of topics including anthropology, history, popular politics, cultural studies, literature, selfhood, emotion, art and visual studies. Indeed, what emerges across this volume is confirmation that engagement with Mass Observation—whether its historical materials or those produced in the last decade—is crucial to understanding the vast array of experiences that make up British life.

Lucy D. Curzon is Associate Professor of Contemporary and Modern Art History at the University of Alabama, USA. She is the author of Mass-Observation and Visual Culture: Depicting Everyday Lives in Britain (2017), which was awarded the 2018 Historians of British Art Book Award for Exemplary Scholarship on the Period after 1800. Benjamin Jones is Lecturer in Modern British History at the University of East Anglia, UK. He is the author of The Working Class in Mid-Twentieth-Century England (2012), which was positively reviewed in Sociology, American Historical Review, Journal of Modern History, Journal of British Studies, The Historical Journal, Economic History Review, Contemporary British History, Twentieth Century British History, and Planning Perspectives.

List of Charts
Notes on Contributors
Introduction: Historical Contexts or Contemporary Uses? Mass Observation and the Politics of Continuity, Lucy Curzon and Ben Jones

1. Mass Observation, Literature and Cultural Studies, Ben Jones and Matt Taunton, (both University of East Anglia, UK)
2. Mass Observing Feeling, Claire Langhamer
3. Anyone Can Paint: Mass Observation and the History of Art, Lucy Curzon, (University of Alabama, USA)
4. ‘Anthropology’, MO, and a Bit of Surrealism: Past Encounters, Future Hopes, Jeremy MacClancy, (Oxford Brookes University, UK)
5. Subjective Cameras and Ekphrastic Writing: The Present and Absent Photograph in Mass Observation, Annebella Pollen
6. Mass-Observation and Popular Politics in Worktown, Jon Lawrence and David Thackeray, (both University of Exeter, UK)
7. ‘On receiving your letter, I promptly dreamed you a war dream the next night’: Writing the Citizen in Mass-Observation’s Dream Archive, Charlotte Hallahan, (University of East Anglia, UK)
8. Self-reflexivity, Class Consciousness and Social Change in Mass Observation Narratives, Nick Hubble, (Brunel University, UK)
9. Perforating Event and Narrative, Experience and Analysis: Beyond the Retro Eighties, Lucy Robinson, (University of Sussex, UK)
Conclusion: Presence and Absence in the Archive: the In/visibility of Mass Observation Writers, Rose Lindsey, (University of Southampton)
Index

Erscheinungsdatum
Reihe/Serie The Mass-Observation Critical Series
Zusatzinfo 25 bw illus
Verlagsort London
Sprache englisch
Maße 156 x 234 mm
Themenwelt Geisteswissenschaften Geschichte Geschichtstheorie / Historik
Geisteswissenschaften Geschichte Regional- / Ländergeschichte
Geschichte Teilgebiete der Geschichte Kulturgeschichte
ISBN-10 1-350-21575-9 / 1350215759
ISBN-13 978-1-350-21575-7 / 9781350215757
Zustand Neuware
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