William Kilburn: Marble End Paper (Foiled Quarto Journal)

A luxurious, new Flame Tree Foiled Quarto Journal, with high-quality, FSC-certified, acid-free pages suitable for all pen types. Combining highquality production with magnificent art, covers printed on foil, embossed then foil stamped. With a pocket at the back, two bookmark ribbons and a magnetic side flap. Art by William Kilburn (1745–1818).

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the Foiled Quarto Journals combine high-quality production and FSC pages with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, list-makers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. 


A NEW SERIES. The Quarto format is named after the earliest form of European printed publication, dating back to the 1400s when Gutenberg invented the first moveable-type printing press, heralding a revolution in mass communication, spreading ideas of literature, science and philosophy of the Renaissance. We celebrate this with our range of fine art and contemporary illustrations. 


BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk, table, in the hand and in your bag. 


PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: the high-quality, 120-gsm lined pages are FSC, Acid Free and Bleed Proof – suitable for all pen types, such as gel and rollerball. A pocket at the back for scraps and receipts, two ribbon markers to help keep track of more than just a to-do list, and a magnetic side flap helps keep everything neat and tidy. 


THE ARTIST. William Kilburn (1745–1818) was a highly regarded designer of block-printed cottons in the 18th century. Born in Dublin, he was apprenticed to a cotton and linen printer at Lucan. He moved to London and sold designs to printers, and drawings and engravings to print shops. 


THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."