Power, Image, and Memory

Peter J. Holliday is Professor Emeritus of the History of Art and Classical Archaeology, California State University, Long Beach. Issues concerning the reception and appropriation of artistic sources, of how one culture interprets and utilizes the artistic practices of another, inform his books and articles in the Art Bulletin, American Journal of Archaeology, Etruscan Studies, J. Paul Getty Museum Journal, Memoirs of the American Academy in Rome, and other scholarly venues. He has received awards from the American Academy in Rome, Andrew W. Mellon Foundation, J. Paul Getty Trust, Samuel H. Kress Foundation, and National Endowment for the Humanities.

Introduction

Chapter One
The Victory Stele of Naram-Sîn:
The Genesis of a Commemorative Tradition

Chapter Two
The Temple of Ramses II at Abu Simbel:
Message Control in Ancient Egypt

Chapter Three
The Alexander Mosaic:
Democracy and Dynasty in Greek Commemorative Practice

Chapter Four
The Column of Trajan:
Images of Power at Empire's Center and Edge

Chapter Five
The Bayeux Embroidery:
Threads of Memory in Medieval England

Chapter Six
The Night Attack on the Sanjo Palace:
Unscrolling the Warrior Ethos in Medieval Japan

Chapter Seven
The Battle of San Romano:
Painting and the Perpetuation of Memory in Renaissance Florence

Chapter Eight
The Benin Plaques:
Displaced Memories of an African Empire

Chapter Nine
The Hünername:
Identity and Legacy at the Ottoman Court

Chapter Ten
The Surrender of Breda:
Private Memory and Public Gesture in Baroque Spain

Chapter Eleven
The Death of General Wolfe:
Fashioning Imperial and Colonial Identities in the Americas

Chapter Twelve
Guernica:
Modernism and Picasso's "Blasted Allegory"

Conclusions
Into the History of Art

Bibliography
Index