Perilous Passions
Ethics and Emotion in Early Modern Spain
Seiten
2024
University of Toronto Press (Verlag)
978-1-4875-2703-7 (ISBN)
University of Toronto Press (Verlag)
978-1-4875-2703-7 (ISBN)
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Perilous Passions explores the ethical implications of emotion in Spanish Golden Age theatre.
Can feelings be wrong? Scientists agree that emotions contain both a cognitive and a physiological component. The cognitive part can be modified, while the physiological response is largely involuntary. In religious terms, the answer is clear in its legislation of heart motives: love your enemies, lust is equivalent to adultery, hate is the same thing as murder.
In Perilous Passions, Hilaire Kallendorf draws on early modern Spanish theatre to reveal how emotions have always been understood as central to ethics. Starting with a treatise on emotion, On the Passions of the Soul by Juan Luis Vives (1493–1540), Kallendorf uses pairs of opposing emotions – love/hatred, desire/aversion, joy/sorrow, hope/despair, and courage/fear – to explore how they are depicted in Golden Age plays.
The book pinpoints and probes intersections of feelings with morality. It asks: Do emotions bear positive or negative ethical overtones? Which emotions are more conducive to virtue? Are passions perceived as perilous in early modern Spain, in agreement with Neostoic principles? Or does the Catholic liturgy’s emphasis on involving the corporeal senses in worship mean that bodily sensations, including feelings, are accorded pride of place – especially in drama? In asking these questions, Perilous Passions argues for the significance of theatre in emotional education.
Can feelings be wrong? Scientists agree that emotions contain both a cognitive and a physiological component. The cognitive part can be modified, while the physiological response is largely involuntary. In religious terms, the answer is clear in its legislation of heart motives: love your enemies, lust is equivalent to adultery, hate is the same thing as murder.
In Perilous Passions, Hilaire Kallendorf draws on early modern Spanish theatre to reveal how emotions have always been understood as central to ethics. Starting with a treatise on emotion, On the Passions of the Soul by Juan Luis Vives (1493–1540), Kallendorf uses pairs of opposing emotions – love/hatred, desire/aversion, joy/sorrow, hope/despair, and courage/fear – to explore how they are depicted in Golden Age plays.
The book pinpoints and probes intersections of feelings with morality. It asks: Do emotions bear positive or negative ethical overtones? Which emotions are more conducive to virtue? Are passions perceived as perilous in early modern Spain, in agreement with Neostoic principles? Or does the Catholic liturgy’s emphasis on involving the corporeal senses in worship mean that bodily sensations, including feelings, are accorded pride of place – especially in drama? In asking these questions, Perilous Passions argues for the significance of theatre in emotional education.
Hilaire Kallendorf is a professor of Hispanic and religious studies at Texas A&M University.
List of Figures
Acknowledgments
Introduction: Can Feelings Be Wrong?
1. The Impure: Disgust
2. Question Your Desires
3. The Problem of Hate
4. Loneliness for Two (a.k.a. Love)
5. The Wounding Smell of Sorrow
6. Ode to Joy
7. Fear Itself
8. That White Sustenance, Despair
9. Hope Against Hope
Conclusion: The Soul’s Theatre
Notes
Bibliography
Index of Comedias
Erscheinungsdatum | 05.01.2024 |
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Reihe/Serie | Toronto Iberic |
Zusatzinfo | 18 colour illustrations, 4 b&w illustrations |
Verlagsort | Toronto |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 1 g |
Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 1-4875-2703-9 / 1487527039 |
ISBN-13 | 978-1-4875-2703-7 / 9781487527037 |
Zustand | Neuware |
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Buch | Softcover (2024)
New Directions Publishing Corporation (Verlag)
14,95 €