A Programme of Absolute Disorder - Françoise Vergès

A Programme of Absolute Disorder

Decolonizing the Museum
Buch | Hardcover
224 Seiten
2024
Pluto Press (Verlag)
978-0-7453-4961-9 (ISBN)
24,90 inkl. MwSt
A call to end the Western museum
'A complete overhaul of the Western museum tradition' - Publishers Weekly



The Western museum is a battleground - a terrain of ideological, political and economic contestation. Almost everyone today wants to rethink the museum, but how many have the audacity to question the idea of the universal museum itself?



In A Programme of Absolute Disorder, Françoise Vergès puts the museum in its place. Exploring the Louvre’s history, she uncovers the context in which the universal museum emerged: as a product of colonialism, and of Europe’s self-appointed claim to be the guardian of global heritage.



Vergès outlines a radical horizon: to truly decolonize the museum is to implement a 'programme of absolute disorder', inventing other ways of apprehending the human and non-human world that nourish collective creativity and bring justice and dignity to the dispossessed.

Françoise Vergès is a political scientist, activist, historian, film writer, and public educator. She is the author of A Decolonial Feminism, A Feminist History of Violence and A Programme of Absolute Disorder. She is also a senior research fellow at the Sarah Parker Remond Centre for the Study of Racism and Racialisation, University College London. She lives in Paris. Melissa Thackway is an independent researcher and translator. She lectures in African Cinema at Sciences-Po and INALCO in Paris. Her recent translations include A Feminist Theory of Violence by Françoise Vergès, Contemporary African Cinema by Olivier Barlet, Tropical Dream Palaces: Cinema-Going in Colonial West Africa by Odile Goerg and African Diasporic Cinema: Aesthetics of Reconstruction by Daniela Ricci.

Preface

Introduction

1. A Programme of Absolute Disorder

2. The Museum: A Battlefield

3. The Louvre, Napoleon, Capture, the Slave

4. Black is the model, white the frame

5. A Museum without Objects

Epilogue: Decolonial Tactics

Notes

Erscheinungsdatum
Übersetzer Melissa Thackway
Vorwort Paul Gilroy
Zusatzinfo 6 Halftones, black and white
Verlagsort London
Sprache englisch
Maße 153 x 234 mm
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
Geisteswissenschaften Geschichte Hilfswissenschaften
Geschichte Teilgebiete der Geschichte Wirtschaftsgeschichte
ISBN-10 0-7453-4961-7 / 0745349617
ISBN-13 978-0-7453-4961-9 / 9780745349619
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
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