Art in the Making

Oscar Moro Abadía's research and publications focus on several interrelated areas: Paleolithic archaeology, art history, the history and philosophy of science, hunter-gatherer studies and the history of archaeology.  His primary research interest lies in the study of prehistoric and indigenous arts, with special attention to the history and epistemology of prehistoric images. 
Manuel R. González Morales is a prolific researcher and author at the Instituto Internacional de Investigaciones Prehistóricas de Cantabria at the University of Cantabria. 

Art in the Making: Recent Developments in the Study of Pleistocene and Holocene Images.- Art (Pre)History: Ritual, Narrative and Visual Culture in Neolithic and Bronze Age Europe.- The Art of Making Images: Technological Affordance, Design Variability and Labour Organization in the Production of Engraved Artefacts and Body Paintings in Tierra del Fuego (Southern South America).- The Return of the Bricoleur? Emplotment, Intentionality, and Tradition in Paleolithic Art.- Prehistoric Art as a Boundary Object: Technology and Temporality of South African Petroglyphs.- An Archaeology of Affect: Art, Ontology and the Carved Stone Balls of Neolithic Britain.- Motion and Gesture: Analysing Artistic Skills in Palaeolithic Art.- Entanglements: the Role of Finger Flutings in the Study of the Lived Lives of Upper Paleolithic Peoples.- Human and Animal Individuals in the Middle Magdalenian.- Investigating the Anthropic Construction of Rock Art Sites Through Archaeomorphology: the Case of Borologa, Kimberley, Australia.- Scratching the Surface: Engraved Cortex as Portable Art in Pleistocene Sulawesi.- Hidden Sites, Hidden Images, Hidden Meanings: Does the Location and Visibility of Motifsand Sites Correlate to Restricted or Open Access?.- Exploring Relationality: Perspectives on the Research Narratives of the Rock Art of the Algonquian-Speaking Peoples of Central and Eastern Canada.- Marks, Pictures and Art: Their Contribution to Revolutions in Communication.