Audiences of Nazism -

Audiences of Nazism

Using Media in the Third Reich

Ulrike Weckel (Herausgeber)

Buch | Hardcover
302 Seiten
2023
Berghahn Books (Verlag)
978-1-80539-099-2 (ISBN)
133,40 inkl. MwSt
Through its focus on audiences and their reception of media in Nazi Germany, Audiences of Nazism inverts the typical top-down perspective employed in studies that concentrate on the regime’s regulation of media and propaganda. It thereby sheds new light on the complex character of the period’s media, their uses, and the scope for audience interpretation. Contributors investigate how consumers either appropriated or ignored certain messages of Nazi propaganda, and how some even participated in its production. The authors ground their studies on novel historical sources, including private diaries and letters, photographs and films, and concert programs, which demonstrate, amongst other things, how audiences interpreted and responded to regulated news, Nazi Party rallies, and the regime’s denunciation of modern works of art as ‘degenerate.’

Ulrike Weckel is Professor of History in the Media and the Public at the Justus Liebig University Giessen. Her research interests include postwar dealings with Germany’s Nazi past, gender history, media history, and audience reception. She is the author of Beschämende Bilder. Deutsche Reaktionen auf alliierte Dokumentarfilme über befreite Konzentrationslager (Stuttgart 2012) and has analyzed audience responses to representa­tions of the Nazi past in various feature films and radio and theater plays.

List of Figures and Tables

Acknowledgements



Introduction: Media and Their Users in Nazi Germany

Ulrike Weckel



Chapter 1. “To Constantly Swim against the Tide Is Suicide”: The Liberal Press and Its Audience, 1928–1933

Jochen Hung



Chapter 2. Active Audiences: Stürmerkästen and the Rise of Der Stürmer’s Activist Readership

Hannah Ahlheim



Chapter 3. Reading Fake News: The “Röhm Putsch,”: The Hitler Myth and the Consumption of Political News under the Nazis

Janosch Steuwer



Chapter 4. Beyond Approved Reactions: Assessments of the NSDAP’s Nuremberg Party Rallies in Diaries and Letters, 1933–1938

Annina Hofferberth



Chapter 5. Call and Response: The Creation of the National Socialist Public

Peter Fritzsche



Chapter 6. Advertising and Its Audiences in Weimar and Nazi Germany

Pamela Swett



Chapter 7. Concert Programs, Ideology, and the Search for Subjectivity in National Socialist Germany

Neil Gregor



Chapter 8. The “Entartete Kunst”: Exhibitions and Their Audiences

Bernhard Fulda



Chapter 9. Amateur Films from National Socialist Austria as Visual Responses to Nazi Propaganda

Michaela Scharf 



Chapter 10. The Media of Occupation: German Books and Photographs in France, 1940–1944

Julia Torrie



Chapter 11. The Migration of Topoi from Atrocity Films to Their Heirs: Modes of Addressing the Audience in German Post-War Cinema

Bernhard Gross



Chapter 12. Finding an Unintended Audience: An SS Photo Album and Its Post-War Editions

Ulrike Koppermann



Afterword

Jane Caplan

Erscheinungsdatum
Reihe/Serie New German Historical Perspectives
Verlagsort Oxford
Sprache englisch
Maße 152 x 229 mm
Themenwelt Geschichte Allgemeine Geschichte Neuzeit (bis 1918)
Geschichte Allgemeine Geschichte 1918 bis 1945
Geschichte Teilgebiete der Geschichte Kulturgeschichte
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 1-80539-099-6 / 1805390996
ISBN-13 978-1-80539-099-2 / 9781805390992
Zustand Neuware
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