Art Discovery and Censorship in the Centre William Rappard of Geneva
Springer International Publishing (Verlag)
978-3-031-27159-5 (ISBN)
Edmundo Murray is a lecturer and a former publishing officer at the World Trade Organisation. He obtained his Ph.D. from the University of Zurich in 2010 and has published several books, including Becoming gauchos ingleses: Diasporic models in Irish-Argentine Literature (2009) and Symphony of Flavors: Food and music in concert (2015). He has contributed articles in cultural history and Irish and Latin American Studies.
1. The Art Paradox: Between Love and Fear of the Image.- 2. 1926 - Metaphors of Hope.- 3. 1930 - "Sex and drunkenness and, yes, sin": The Geneva Window that never arrived in Geneva.- 4. 1937 - "He wishes that it be removed": Hiding Pygmalion.- 5. 1977 - "Profane, almost sentimentalist, almost human": The GATT Secretariat in the Centre William Rappard.- 6. 2013 - Fresh Air: Rediscovering and Restoring Artworks.- 7. 2020 - The end of humour.- 8. Ars celare artem.
Erscheinungsdatum | 17.06.2023 |
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Zusatzinfo | XXVI, 209 p. 43 illus., 37 illus. in color. |
Verlagsort | Cham |
Sprache | englisch |
Maße | 148 x 210 mm |
Gewicht | 408 g |
Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
Geisteswissenschaften ► Geschichte | |
Sozialwissenschaften | |
Schlagworte | ART • Censorship • Centre William Rappard • Diplomacy • Geneva • Human Rights • International Organizations • International Relations • Labor • Trade |
ISBN-10 | 3-031-27159-9 / 3031271599 |
ISBN-13 | 978-3-031-27159-5 / 9783031271595 |
Zustand | Neuware |
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