The Erard Grecian Harp in Regency England - Dr Panagiotis Poulopoulos

The Erard Grecian Harp in Regency England

Buch | Softcover
318 Seiten
2023
The Boydell Press (Verlag)
978-1-78327-772-8 (ISBN)
31,15 inkl. MwSt
Sébastien Erard (1752-1831) was a major force in the technical, musical and visual upgrading of the harp as both a novel instrument and symbol of status.
During the early nineteenth century, the harp was transformed into a sophisticated instrument that became as popular as the piano. This was largely the result of the harp's intensive technical, musical and visual upgrading, which gradually led to the transition from the single- to the double-action pedal harp. A major figure in this process was Sébastien Erard (1752-1831), a tireless inventor and prolific manufacturer of harps and pianos operating branches in Paris and London. With the introduction in 1811 of the so-called 'Grecian' model, the first commercially built double-action harp, the Erard firm managed to establish the harp not only as a novel, state-of-the-art instrument, but also as a powerful symbol of luxury, wealth and status.
Drawing upon a wide variety of primary sources, including surviving instruments, archival documents and iconographical evidence, this book provides a comprehensive overview of the development, production and consumption of the Erard Grecian harp in Regency England. The innovative approaches employed by the Erard firm in the manufacture and marketing of harps are measured against competitors but also against the work of leading entrepreneurs in related trades, ranging from the mechanical devices and precision tools of James Watt, Henry Maudslay or Jacques Holtzapffel, through the ornamental pottery of Josiah Wedgwood, to the clocks and watches of George Prior or Abraham-Louis Breguet. In addition, the book examines the omnipresent role of the harp in the education, art, fashion and literature of the Regency era, discussing how the image and perception of the instrument were shaped by groundbreaking advances, such as the Industrial Revolution, Neoclassicism, and the Napoleonic Wars.

PANAGIOTIS POULOPOULOS holds a PhD from the University of Edinburgh and is research associate in the Department of Technology at the Deutsches Museum, Munich.

Introduction
1 The Shift from the Single- to the Double-Action Harp: The Emergence of the Erard Grecian Model
2 The Design and Engineering of the Erard Grecian Harp: Influences from Industry and Business
3 The Decoration and Branding of the Erard Grecian Harp: Innovation, Adaptation and Substitution
4 Manufacturing the Erard Grecian Harp: Aspects of Organisation, Management and Operation
5 Marketing the Erard Grecian Harp: Promotional Strategies and the Establishment of a Refined Clientele
6 Erard and the Harp in Education, Art and Fashion: 'Evening Dress' for a Private Concert
7 Erard and the Harp's Literary Footprint: From Pride and Prejudice to War and Peace
8 The Erard Grecian Harp as an Artefact of Cultural Heritage: 'Self-destruction' and Resurrection
Conclusions
Appendix
Bibliography
Index of Names
Index of Places
Index of Themes

Erscheinungsdatum
Zusatzinfo 54 b/w illus.
Verlagsort Woodbridge
Sprache englisch
Maße 156 x 234 mm
Gewicht 1 g
Themenwelt Kunst / Musik / Theater Musik Instrumentenkunde
Kunst / Musik / Theater Musik Klassik / Oper / Musical
Geisteswissenschaften Geschichte Hilfswissenschaften
ISBN-10 1-78327-772-6 / 1783277726
ISBN-13 978-1-78327-772-8 / 9781783277728
Zustand Neuware
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