Tragic Encounters
Pushkin and European Romanticism
Seiten
2023
University of Wisconsin Press (Verlag)
978-0-299-34140-4 (ISBN)
University of Wisconsin Press (Verlag)
978-0-299-34140-4 (ISBN)
Literary scholars largely agree that the Romantic period altered the definition of tragedy, but they have confined their analyses to Western European authors. Maksim Hanukai introduces a new, illuminating figure to this narrative, arguing that Russia’s national poet, Alexander Pushkin, can be understood as a tragic Romantic poet.
Literary scholars largely agree that the Romantic period altered the definition of tragedy, but they have confined their analyses to Western European authors. Maksim Hanukai introduces a new, illuminating figure to this narrative, arguing that Russia’s national poet, Alexander Pushkin, can be understood as a tragic Romantic poet, although in a different mold than his Western counterparts.
Many of Pushkin’s works move seamlessly between the closed world of traditional tragedy and the open world of Romantic tragic drama, and yet they follow neither the cathartic program prescribed by Aristotle nor the redemptive mythologies of the Romantics. Instead, the idiosyncratic and artistically mercurial Pushkin seized upon the newly unstable tragic mode to develop multiple, overlapping tragic visions. Providing new, innovative readings of such masterpieces as The Gypsies, Boris Godunov, The Little Tragedies, and The Bronze Horseman, Hanukai sheds light on an unexplored aspect of Pushkin’s work, while also challenging reigning theories about the fate of tragedy in the Romantic period.
Literary scholars largely agree that the Romantic period altered the definition of tragedy, but they have confined their analyses to Western European authors. Maksim Hanukai introduces a new, illuminating figure to this narrative, arguing that Russia’s national poet, Alexander Pushkin, can be understood as a tragic Romantic poet, although in a different mold than his Western counterparts.
Many of Pushkin’s works move seamlessly between the closed world of traditional tragedy and the open world of Romantic tragic drama, and yet they follow neither the cathartic program prescribed by Aristotle nor the redemptive mythologies of the Romantics. Instead, the idiosyncratic and artistically mercurial Pushkin seized upon the newly unstable tragic mode to develop multiple, overlapping tragic visions. Providing new, innovative readings of such masterpieces as The Gypsies, Boris Godunov, The Little Tragedies, and The Bronze Horseman, Hanukai sheds light on an unexplored aspect of Pushkin’s work, while also challenging reigning theories about the fate of tragedy in the Romantic period.
Maksim Hanukai is an assistant professor of German, Nordic, and Slavic studies at the University of Wisconsin–Madison.
Acknowledgments
Introduction
1 Tragedy in the Balkans
2 History as Irony
3 Sublime and Grotesque
4 Modern Tragedy
Coda: Death of a Poet
Notes
Bibliography
Index
Erscheinungsdatum | 11.05.2023 |
---|---|
Reihe/Serie | Publications of the Wisconsin Center for Pushkin Studies |
Zusatzinfo | 2 b&w illus. |
Verlagsort | Wisconsin |
Sprache | englisch |
Maße | 152 x 229 mm |
Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
Mathematik / Informatik ► Mathematik ► Allgemeines / Lexika | |
ISBN-10 | 0-299-34140-2 / 0299341402 |
ISBN-13 | 978-0-299-34140-4 / 9780299341404 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Dichtung, Natur und die Verwandlung der Kräfte 1770-1830
Buch | Hardcover (2023)
De Gruyter (Verlag)
59,00 €