The Iconology of Abstraction

Krešimir Purgar is Associate Professor in the Academy of Arts and Culture at J. J. Strossmayer University, Osijek, Croatia.

Introduction

Should Abstract Images Have Their "own" Iconology?

Krešimir Purgar

Prolegomena

1. Why Pictures are Signs? The Semiotics of (Non)Representational Pictures

Winfried Noth

Part 1: History and Theory of Abstraction

2. The Founding of Abstraction: Wilhelm Worringer and the Avant-Garde

Anselm Treichler

3. The Iconology of Malevich’s Suprematist Crosses

Marie Gaspter-Hulvat

4. Literality and Non-Referentiality in the Abstraction of Objecthood

Blaženka Perica

5. Representational Abstract Pictures

Regina-Nino Mion

PART 2: Philosophy of Abstraction

6. What is Abstraction in Photography?

Diarmuid Costello

7. Abstraction and Transperceptual Space

Paul Crowther

8. The Visualization of Temporality in the Abstract Paintings of Barnett Newman

Claude Cernuschi

9. Rethinking Abstraction Post-Phenomenologically: Michel Henry and Henri Maldiney

Bruno Lessard

PART 3: Redefining Abstraction—Analog vs. Digital

10. Visual Music and Abstraction: From Avant-Garde Synesthaesia to Digital Technestaesia

Michael Betancourt

11. Ecology and Climatology in Modern Abstract Art

Linn Burchert

12. Digital Abstraction: Interface between Electronic Media Art and Data Visualization

Birgit Mersmann

13. Towards a Transsensorial Technology of Abstraction (Ekstraction)

Clemens C. Finkelstein

14. Digital Landscapes of the Internet: Glitch Art, Vaporwave, Spectacular Cyberspace

Dario Vuger

PART 4: Abstraction in Science and Technology

15. The Material Site of Abstraction: Grid-based Data Visualisation in Brain Scans

Silvia Casini

16. Reference and Affect: Visual Abstraction in Computation and the Neurosciences

Michael Reinsborough

17. Reality Effect of (Abstract) Maps in Post-Digital Era

Ana Peraica

Coda

18. Visualizing the End of Visibility: M87* Event-Horizon Image

Yanai Toister