The Changeling: The State of Play

Gordon McMullan is Professor of English and Director of the London Shakespeare Centre at King’s College London, UK. He is a general editor of Arden Early Modern Drama and a general textual editor of the Norton Shakespeare, 3E. His publications include The Politics of Unease in the Plays of John Fletcher (1994), the Arden 3 edition of Henry VIII (2000), Shakespeare and the Idea of Late Writing (2007) and Antipodal Shakespeare (2018). Kelly Stage is Associate Professor of English and Director the Medieval and Renaissance Studies Program at the University of Nebraska-Lincoln, USA. Her recent publications include Producing Early Modern London: A Comedy of Urban Space, 1598-1616 (2018) and an edition of Thomas Middleton and Thomas Dekker’s The Roaring Girl (2019).

List of Illustrations
Notes on Contributors
Preface
Series Preface
Introduction
Kelly Stage (University of Nebraska-Lincoln, USA) and Gordon McMullan (King's College London, UK)

Part One Spaces and Places
1 Space, Gender and the Rules of Movement in The Changeling
Jean E. Howard (Columbia University, USA)

2 Chang(el)ing Spaces: Dramatic Forms of Worlding in Late Jacobean England
Ina Habermann (University of Basel, Switzerland)

Part Two Collaboration and the Hospital Plot
3 A Secret Within the Castle: William Rowley and The Changeling
David Nicol (Dalhousie University, Canada)

4 Isabella
Douglas Bruster (University of Texas at Austin, USA)

Part Three States of Mind
5 ‘The Pleasure of Your Bedlam’: Mismanaging Insanity in The Changeling
Pascale Drouet (University of Poitiers, France)

6 Passions, Affections and Instinct in The Changeling
Jesse Lander (University of Notre Dame, USA)

Part Four Disabilities
7 The Changeling’s Phantom Limbs
Karen Sawyer Marsalek (St Olaf College, USA)

8 Disability Representation and Theatrical Form in The Changeling and The Nice Valour
Katherine Schaap Williams (University of Toronto, Canada)

Part Five Actor and Audience in Jacobean Performance

9 The Changeling, The Boy Actor and Female Subjectivity
Lucy Munro (King's College London, UK)

10 Witnessing at the Phoenix: Early Modern Audiences at The Changeling
Jennifer A. Low (Florida Atlantic University, USA)

Part Six Rape and the Female Body in Contemporary Performance

11 ‘What Would a Foreign Woman Be?’: Sexual Borderlands, Hospitality, and ‘Forgetting Parentage’ in The Changeling on Film
Courtney Lehmann (University of the Pacific, USA)

12 Feminist Staging in Brave Spirits’ Changeling
Musa Gurnis (Independent Scholar) and Charlene V. Smith (Brave Spirits Theatre, USA)

Selected Bibliography
Index