Music in Star Trek
Routledge (Verlag)
978-1-138-61524-3 (ISBN)
Considering how the music of Star Trek defines and interprets religion, ideology, artificial intelligence, and more, while also considering fan interactions with the show’s audio, this book will be of interest to students and scholars of music, media studies, science fiction, and popular culture.
Jessica Getman is an Assistant Professor of Musicology/Ethnomusicology at California State University, San Bernardino, and a film musicologist focusing on music in television and science fiction media. Brooke McCorkle Okazaki is an Assistant Professor of Music at Carleton College in Northfield, Minnesota. She specializes in opera of the nineteenth and twentieth centuries, film music, and the music of modern Japan. Evan Ware is Assistant Professor of Music Theory and Composition at California State Polytechnic University, Pomona. His scholarship focuses on reinterpretation and meaning in popular and film/television music.
Preface; Jay Chattaway
Introduction: Hearing Utopia in Star Trek; Jessica Getman, Brooke McCorkle Okazaki, Evan Ware
Star Trek: The Original Series, Utopian/Dystopian Spaces, and Music; Amanda Keeler
The Trouble with Trebles: Orchestration and False Utopias in Star Trek: The Original Series; Reba Wissner
Tracks for Trek: Music in Network Ads for TOS; James Deaville
From Spock with Love: Fan Audio, Participatory Media, and Circulating the Materials of Star Trek Fan Culture; Kate Galloway
Loving Lwaxana, Trek’s Sonically Disruptive Diva; Josh Morrison
I, Musician: Humanity, Music, and Artificial Intelligence in the Star Trek Franchise; Jessica Getman
Not Logical, but Often True: The Evolving Role of Religion in Star Trek’s Utopia; Naomi Graber
Sinatra in Space: Music for Hope and Loss Beyond the Final Frontier; Timothy Summers
Markers of Utopian Difference: Music in Deep Space Nine (1993–1999) and Voyager (1995–2001); Paul Sommerfield
No, They’re Not Gonna Change My Mind: Anti-Fandom and the Enterprise Title Cue; Evan Ware
Navigating Contrasting Styles in the First Three Star Trek Film Scores; Louis Niebur
Songs of the Final Frontier: Listening to Whales in Star Trek IV: The Voyage Home; Sarah Kessler
Days of Utopia Past: Nostalgia and the Star Trek (2009) Soundtrack; Brooke McCorkle Okazaki
Epilogue: The Conflicted Utopias of Star Trek’s Renaissance (2017–); Jessica Getman, Brooke McCorkle Okazaki, Evan Ware
Erscheinungsdatum | 12.12.2022 |
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Reihe/Serie | Routledge Music and Screen Media Series |
Zusatzinfo | 5 Tables, black and white; 62 Line drawings, black and white; 35 Halftones, black and white; 97 Illustrations, black and white |
Verlagsort | London |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 580 g |
Themenwelt | Kunst / Musik / Theater ► Musik |
Geisteswissenschaften ► Geschichte | |
ISBN-10 | 1-138-61524-2 / 1138615242 |
ISBN-13 | 978-1-138-61524-3 / 9781138615243 |
Zustand | Neuware |
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