Exhibiting Italian Art in the United States from Futurism to Arte Povera - Raffaele Bedarida

Exhibiting Italian Art in the United States from Futurism to Arte Povera

'Like a Giant Screen'
Buch | Softcover
228 Seiten
2024
Routledge (Verlag)
978-1-032-10606-9 (ISBN)
49,85 inkl. MwSt
This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting –literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969.
This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting – literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969.

From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the United States, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on the one hand and American Cold War imperialism on the other, this book establishes a more nuanced transnational approach. The central thesis is that, beyond the immediate aims of political propaganda and conquering a new market for Italian art, these art exhibitions, publications, and the critical discourse aimed at American audiences all reflected back on their makers: they forced and helped Italians define their own modernity in relation to the world’s new dominant cultural and economic power.

The book will be of interest to scholars working in art history, social history, exhibition history, and Italian studies.

Raffaele Bedarida is an Associate Professor of Art History at The Cooper Union, New York, where he directs the History and Theory of Art program.

Introduction 1. (Prelude): "I Will Smash The Alps of the Atlantic:" Futurist Depero and Italian Americanism 2. Exporting Fascist Culture / Importing American Modernity 3. MoMA and the Post-War Rehabilitation of Italy 4. Tu Vuo Fa l’Americano: Catherine Viviano, Irene Brin, and Italian Art’s Conquest of Hollywood 5. Transatlantic Arte Povera: The Trojan Horse of Germano Celant

Erscheinungsdatum
Reihe/Serie Routledge Research in Art Museums and Exhibitions
Zusatzinfo 55 Halftones, black and white; 55 Illustrations, black and white
Verlagsort London
Sprache englisch
Maße 174 x 246 mm
Gewicht 440 g
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
Reisen Reiseführer Europa
Geisteswissenschaften Geschichte Hilfswissenschaften
ISBN-10 1-032-10606-9 / 1032106069
ISBN-13 978-1-032-10606-9 / 9781032106069
Zustand Neuware
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