One-Track Mind -

One-Track Mind

Capitalism, Technology, and the Art of the Pop Song

Asif Siddiqi (Herausgeber)

Buch | Softcover
294 Seiten
2024
Routledge (Verlag)
978-0-367-55373-9 (ISBN)
49,85 inkl. MwSt
One-Track Mind: Capitalism, Culture, and the Art of the Pop Song brings together sixteen writers to weigh in on sixteen iconic tracks from the history of modern popular music. Arranged chronologically in order of release of the tracks, these essays zig zag across the cultural landscape to present one possible history of pop music.
The song remains the most basic unit of modern pop music. Shaped into being by historical forces—cultural, aesthetic, and technical—the song provides both performer and audience with a world marked off by a short, discrete, and temporally demarcated experience. One-Track Mind: Capitalism, Technology, and the Art of the Pop Song brings together 16 writers to weigh in on 16 iconic tracks from the history of modern popular music. Arranged chronologically in order of release of the tracks, and spanning nearly five decades, these essays zigzag across the cultural landscape to present one possible history of pop music. There are detours through psychedelic rock, Afro-pop, Latin pop, glam rock, heavy metal, punk, postpunk, adult contemporary rock, techno, hip-hop, and electro-pop here. More than just deep histories of individual songs, these essays all expand far beyond the track itself to offer exciting and often counterintuitive histories of transformative moments in popular culture. Collectively, they show the undiminished power of the individual pop song, both as distillations of important flashpoints and, in their afterlives, as ghostly echoes that persist undiminished but transform for succeeding generations. Capitalism and its principal good, capital, help us frame these stories, a fact that should surprise no one given the inextricable relationship between art and capitalism established in the twentieth century. At the root, readers will find here a history of pop with unexpected plot twists, colorful protagonists, and fitting denouements.

Asif Siddiqi is Professor of History at Fordham University in New York and specializes in the history of technology, Soviet history, and global histories of science. He has held visiting positions at Harvard University, MIT, Caltech, and the Smithsonian Institution. He received a Guggenheim Fellowship in 2016 and was a visiting scholar at Princeton University’s Davis Center for Historical Studies in 2021–22.

One-Track Mind: An Introduction

Asif Siddiqi






Le Grand Kallé and African Jazz—"Indépendance Cha Cha" (1960)
Simon Zagorski-Thomas


Gerald Wilson—"Viva Tirado" (1962)
Oliver Wang




Moby Grape— "Omaha" (1967)
Susan Schmidt Horning


Led Zeppelin—"Immigrant Song" (1970)
Esther Liberman Cuenca


David Bowie—"Rebel Rebel" (1974)
Glenn Hendler


Donna Summer—"I Feel Love" (1977)
Simon Reynolds


X-Ray Spex—"Oh Bondage Up Yours!" (1977)
Helen Reddington


Prince—"When You Were Mine" (1980)
Scott Poulson-Bryant


Neil Young—"Transformer Man" (1982)
George Plasketes


The Replacements—"Unsatisfied" (1984)
Gina Arnold


NWA—"F- Tha Police (1988)
Austin McCoy


Salt-N-Pepa—"Shoop" (1993)
Amy Coddington


Hanson—"MmmBop" (1997)
Louie Dean Valencia


Elton John—"Candle in the Wind 1997" (1997)
Christine Caccipuoti


LCD Soundsystem—"All My Friends" (2007)
Gabrielle Cornish


MIA—"Paper Planes" (2007)

Asif Siddiqi

Erscheinungsdatum
Reihe/Serie Ashgate Popular and Folk Music Series
Zusatzinfo 17 Halftones, black and white; 17 Illustrations, black and white
Verlagsort London
Sprache englisch
Maße 156 x 234 mm
Gewicht 453 g
Themenwelt Kunst / Musik / Theater Musik Pop / Rock
Geisteswissenschaften Geschichte
ISBN-10 0-367-55373-2 / 0367553732
ISBN-13 978-0-367-55373-9 / 9780367553739
Zustand Neuware
Informationen gemäß Produktsicherheitsverordnung (GPSR)
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