One-Track Mind
Routledge (Verlag)
978-0-367-55373-9 (ISBN)
The song remains the most basic unit of modern pop music. Shaped into being by historical forces—cultural, aesthetic, and technical—the song provides both performer and audience with a world marked off by a short, discrete, and temporally demarcated experience. One-Track Mind: Capitalism, Technology, and the Art of the Pop Song brings together 16 writers to weigh in on 16 iconic tracks from the history of modern popular music. Arranged chronologically in order of release of the tracks, and spanning nearly five decades, these essays zigzag across the cultural landscape to present one possible history of pop music. There are detours through psychedelic rock, Afro-pop, Latin pop, glam rock, heavy metal, punk, postpunk, adult contemporary rock, techno, hip-hop, and electro-pop here. More than just deep histories of individual songs, these essays all expand far beyond the track itself to offer exciting and often counterintuitive histories of transformative moments in popular culture. Collectively, they show the undiminished power of the individual pop song, both as distillations of important flashpoints and, in their afterlives, as ghostly echoes that persist undiminished but transform for succeeding generations. Capitalism and its principal good, capital, help us frame these stories, a fact that should surprise no one given the inextricable relationship between art and capitalism established in the twentieth century. At the root, readers will find here a history of pop with unexpected plot twists, colorful protagonists, and fitting denouements.
Asif Siddiqi is Professor of History at Fordham University in New York and specializes in the history of technology, Soviet history, and global histories of science. He has held visiting positions at Harvard University, MIT, Caltech, and the Smithsonian Institution. He received a Guggenheim Fellowship in 2016 and was a visiting scholar at Princeton University’s Davis Center for Historical Studies in 2021–22.
One-Track Mind: An Introduction
Asif Siddiqi
Le Grand Kallé and African Jazz—"Indépendance Cha Cha" (1960)
Simon Zagorski-Thomas
Gerald Wilson—"Viva Tirado" (1962)
Oliver Wang
Moby Grape— "Omaha" (1967)
Susan Schmidt Horning
Led Zeppelin—"Immigrant Song" (1970)
Esther Liberman Cuenca
David Bowie—"Rebel Rebel" (1974)
Glenn Hendler
Donna Summer—"I Feel Love" (1977)
Simon Reynolds
X-Ray Spex—"Oh Bondage Up Yours!" (1977)
Helen Reddington
Prince—"When You Were Mine" (1980)
Scott Poulson-Bryant
Neil Young—"Transformer Man" (1982)
George Plasketes
The Replacements—"Unsatisfied" (1984)
Gina Arnold
NWA—"F- Tha Police (1988)
Austin McCoy
Salt-N-Pepa—"Shoop" (1993)
Amy Coddington
Hanson—"MmmBop" (1997)
Louie Dean Valencia
Elton John—"Candle in the Wind 1997" (1997)
Christine Caccipuoti
LCD Soundsystem—"All My Friends" (2007)
Gabrielle Cornish
MIA—"Paper Planes" (2007)
Asif Siddiqi
Erscheinungsdatum | 17.08.2022 |
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Reihe/Serie | Ashgate Popular and Folk Music Series |
Zusatzinfo | 17 Halftones, black and white; 17 Illustrations, black and white |
Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Gewicht | 453 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Pop / Rock |
Geisteswissenschaften ► Geschichte | |
ISBN-10 | 0-367-55373-2 / 0367553732 |
ISBN-13 | 978-0-367-55373-9 / 9780367553739 |
Zustand | Neuware |
Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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