Listening to the Unconscious
Bloomsbury Academic USA (Verlag)
978-1-5013-6846-2 (ISBN)
Kenneth Smith is Professor of music at the University of Liverpool, UK, and President of the Society for Music Analysis. He is the author of Skryabin, Philosophy and the Music of Desire (2017) and Desire in Chromatic Harmony (2020) and co-editor of The Routledge Companion to Popular Music Analysis (2018). Stephen Overy is Lecturer in philosophy at Newcastle University, UK. He specialises in philosophy of the unconscious and desire, situating the work of a line of thinkers from Kant to Deleuze in relation to its implications for materialism.
Introduction
1. Charting Three Freudian Hypotheses with Pop Music: the economic, the topographic, the structural
2. Freud, Music, and the Psychological Condition
3. Bright Eyes (and friends) and the Antlers Meet Jacques Lacan
4. Phallocentrism, Sexuation and the Chora, from Lacan to Kristeva; Gaga to Björk
5. The Death Drive and Unconscious Production
6. “Do you want to be the ebb of this great tide?” Lacan, Freud, Nietzsche, Deleuze, and “Joy in Repetition”: Prince and LCD Soundsystem
7. S & M, & Pop Perversion
8. Polly Jean Harvey asks,“Is this desire [enough]?”
Bibliography
Index
Erscheinungsdatum | 13.02.2023 |
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Verlagsort | New York |
Sprache | englisch |
Maße | 152 x 229 mm |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
Kunst / Musik / Theater ► Musik ► Pop / Rock | |
Geisteswissenschaften ► Philosophie | |
ISBN-10 | 1-5013-6846-X / 150136846X |
ISBN-13 | 978-1-5013-6846-2 / 9781501368462 |
Zustand | Neuware |
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