Tiger King: Murder, Mayhem and Madness
Routledge (Verlag)
978-0-367-74330-7 (ISBN)
The series – a true-crime, tabloid spectacle about a murder-for-hire plot within the big cat trade – prompts interesting questions about which documentaries become popular in particular moments and why. However, it also raises important questions related to the medium specificity of documentary in the streaming era, as well as the ethics of both human and animal representation. By combining five distinct perspectives on the Netflix documentary series, this book offers a complex and cumulative discourse about Tiger King’s significance in multiple areas including, but not limited to, animal studies, queer theory, genre studies, labor relations, and digital culture.
Students and scholars of film, media, television, and cultural studies will find this book extremely valuable in understanding the significance of this larger-than-life true-crime documentary series.
Jaimie Baron is Associate Professor of Film Studies at the University of Alberta. She is author of two books, The Archive Effect: Found Footage and the Audiovisual Experience of History (2014) and Reuse, Misuse, Abuse: The Ethics of Audiovisual Appropriation in the Digital Era (2020), as well as numerous journal articles and book chapters. She is also the director of the Festival of (In)appropriation, a yearly international festival of short experimental found footage films and videos. Kristen Fuhs is Associate Professor of Media Studies at Woodbury University. She writes about documentary film, the American criminal justice system, and contemporary celebrity, and her work has appeared in journals such as Cultural Studies; the Historical Journal of Film, Radio, and Television; and the Journal of Sport & Social Issues.
Introduction: The spectacle of Tiger King 1. Captive audiences: quarantining with Tiger King 2. Netflix’s docuseries style: generic chaos and affect in Tiger King 3. #carolebaskinkilledherhusband: the gender politics of Tiger King meme culture 4. Labor, celebrity, and the carnivalesque world of Tiger King 5. "I’m in a cage": a historical perspective on Tiger King’s animals
| Erscheinungsdatum | 07.02.2022 |
|---|---|
| Reihe/Serie | Docalogue |
| Zusatzinfo | 1 Line drawings, black and white; 12 Halftones, black and white; 13 Illustrations, black and white |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 138 x 216 mm |
| Gewicht | 453 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Geisteswissenschaften ► Geschichte | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 0-367-74330-2 / 0367743302 |
| ISBN-13 | 978-0-367-74330-7 / 9780367743307 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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