Arctic (eBook)

In this new collection from Don Paterson, 'The Arctic' is the bar frequented in the backstreet of a post-apocalyptic world. Under its echoey aegis are gathered poems about men and women, polemical responses to a pandemic, microdot poems, odes to dogs, to movies and the male anatomy, and, in the chill undertow, a series of poems that mourn the poet's musician father. Other poets are drawn in from the cold, including the Chilean poet, Gabriela Mistral, whose verses are magically transformed to Paterson's native Scots; there are versions, too, of Cavafy, Montale and Unamuno. And in the fourth part Paterson's ongoing long poem 'The Alexandrian Library', travelling from a weather station at the top of Ben Nevis to the cellar back at The Arctic Bar, we are witness to the imminence of man-made extinction. By turn, urgent, railing, tender, these are poems for our times, by one of our most celebrated and formally adventurous poets.

Don Paterson was born in Dundee, Scotland. His first collection of poetry, Nil Nil (1993) won the Forward Poetry Prize for Best First Collection. His following collection, God's Gift to Women (1997) won the T. S. Eliot Prize and the Geoffrey Faber Memorial Prize. Don Paterson's poetry collection, Landing Light, won the 2001 Whitbread Poetry Award, and also received the 2003 T. S. Eliot Prize - making him the first poet to have won the award twice. His latest poetry collection, 40 Sonnets, has been shortlisted for the Saltire Poetry Book of the Year award. He works as a musician and editor, teaches at the University of St Andrews, and lives in Kirriemuir, Scotland.

---

In this new collection from Don Paterson, 'The Arctic' is the bar frequented in the backstreet of a post-apocalyptic world. Under its echoey aegis are gathered poems about men and women, polemical responses to a pandemic, microdot poems, odes to dogs, to movies and the male anatomy, and, in the chill undertow, a series of poems that mourn the poet's musician father. Other poets are drawn in from the cold, including the Chilean poet, Gabriela Mistral, whose verses are magically transformed to Paterson's native Scots; there are versions, too, of Cavafy, Montale and Unamuno. And in the fourth part Paterson's ongoing long poem 'The Alexandrian Library', travelling from a weather station at the top of Ben Nevis to the cellar back at The Arctic Bar, we are witness to the imminence of man-made extinction. By turn, urgent, railing, tender, these are poems for our times, by one of our most celebrated and formally adventurous poets.