Worldwide Women Writers in Paris - Alison Rice

Worldwide Women Writers in Paris

Francophone Metronomes

(Autor)

Buch | Hardcover
320 Seiten
2021
Oxford University Press (Verlag)
978-0-19-284577-1 (ISBN)
108,45 inkl. MwSt
A study based on a set of filmed interviews with Francophone women writers in Paris that explores the literary phenomenon of an unprecedented number of women from around the world who have moved to Paris and become authors of written works in French.
Worldwide Women Writers in Paris examines a new literary phenomenon consisting of an unprecedented number of women from around the world who have come to Paris and become authors of written works in French. It takes as its starting point a series of filmed interviews conducted in the French capital, a set of recorded conversations motivated by a desire to pay homage to these discrete voices and images at a moment characterized by impressive diversity. Their individual paths to France and to French are noteworthy, and these authors of different generations and varying places of origin emphasize their singularity. However, the juxtaposition of their reflections reveals that many have faced similar difficulties when learning the French language, adapting to life in France, and many have encountered forms of prejudice in the publishing world related to their ethnicity or gender. These challenges have led them, each in an idiosyncratic manner, to tackle tough topics in their work and to respond to adversity by finding effective creative expressions.

Taken together, the innovations and interventions in oral and written form of these authors collectively contribute to significant change in the specialized score that is the Parisian literary landscape: Hélène Cixous (Algeria); Zahia Rahmani (Algeria); Leïla Sebbar (Algeria); Bessora (Belgium); Julia Kristeva (Bulgaria); Pia Petersen (Denmark); Maryse Condé (Guadeloupe); Eva Almassy (Hungary); Shumona Sinha (India); Chahdortt Djavann (Iran); Yumiko Seki (Japan); Evelyne Accad (Lebanon); Etel Adnan (Lebanon); Nathacha Appanah (Mauritius); Brina Svit (Slovenia); Eun-Ja Kang (South Korea); Anna Moï (Vietnam).

Alison Rice is Dr. William M. Scholl Associate Professor of French and Francophone Studies and Chair of the Department of Romance Languages and Literatures at the University of Notre Dame. Her books Time Signatures: Contextualizing Contemporary Francophone Autobiographical Writing from the Maghreb (Lexington Books, 2006) and Polygraphies: Francophone Women Writing Algeria (University of Virginia Press, 2012) focus on literature by authors from Algeria and Morocco who write in French. She is the author of a website featuring filmed interviews with eighteen worldwide women writers in Paris: www.francophonemetronomes.com.

Introduction. The Publishing Profile: Becoming an Author and Creating Literary Capital
1: Forging a Name: Signing Off on the Foreign Leitmotif
2: The Pull of Paris: Urban European Expositions
3: Lessons in French: From Translations to Multilingual Modulations
4: The Accent Complex: Reemphasizing Immigrant Experiences
5: Family Fugues: Movements toward Worldwide Written Work
6: The Francophone' Fermata: In Favor of New Strains of Interpretation
7: Gendered Glissandos: International Feminisms in a French Frame
8: Improvising Improperly: Acting Out Against Expected Narratives
9: The Terms of the Text: Variations on an Autobiographical Theme
Conclusion. Da Capo Al Fine: Final Notes, Circling Back: Recognizing the Revolution

Erscheinungsdatum
Zusatzinfo 9 Illustrations
Verlagsort Oxford
Sprache englisch
Maße 164 x 241 mm
Gewicht 612 g
Themenwelt Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 0-19-284577-2 / 0192845772
ISBN-13 978-0-19-284577-1 / 9780192845771
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
Poetik eines sozialen Urteils

von Nora Weinelt

Buch | Hardcover (2023)
De Gruyter (Verlag)
59,95

von Jane Austen; John Mullan

Buch | Softcover (2022)
Oxford University Press (Verlag)
8,70