Theology and Poetry in Early Byzantium
The Kontakia of Romanos the Melodist
Seiten
2021
Cambridge University Press (Verlag)
978-1-316-50561-8 (ISBN)
Cambridge University Press (Verlag)
978-1-316-50561-8 (ISBN)
Romanos' lively and dramatic hymns are a highlight of Byzantine literary invention. This book examines the rhetorical embodiment of theological themes in these kontakia. Through rhetorical techniques like dialogue, metaphor and vivid description, biblical stories and theological concepts are performed, adapted and vivified.
Theology and Poetry in Early Byzantium examines the kontakia and thought-world of Romanos the Melodist, the sixth-century hymnographer whose vibrant and engaging compositions had a far-reaching influence in the history of Byzantine liturgy. His compositions bring biblical narratives to life through dialogue, encourage a level of participation unparalleled in homiletics and push the boundaries of liturgical expression of theology. This book provides an original analysis of Romanos' poetry, drawing attention to the coherence of his theology and the performative nature of his rhetoric. The main theological themes which emerge encourage the congregation to enact the life of Christ and anticipate the new creation: restoration of humanity to God, re-creation in the incarnation and life of Christ, and liturgical participation and transformation in that life. By analysing the rhetorical performance of theology in the kontakia, the book provides new insights into religious practice in late antiquity.
Theology and Poetry in Early Byzantium examines the kontakia and thought-world of Romanos the Melodist, the sixth-century hymnographer whose vibrant and engaging compositions had a far-reaching influence in the history of Byzantine liturgy. His compositions bring biblical narratives to life through dialogue, encourage a level of participation unparalleled in homiletics and push the boundaries of liturgical expression of theology. This book provides an original analysis of Romanos' poetry, drawing attention to the coherence of his theology and the performative nature of his rhetoric. The main theological themes which emerge encourage the congregation to enact the life of Christ and anticipate the new creation: restoration of humanity to God, re-creation in the incarnation and life of Christ, and liturgical participation and transformation in that life. By analysing the rhetorical performance of theology in the kontakia, the book provides new insights into religious practice in late antiquity.
Sarah Gador-Whyte is an Honorary Fellow of the Australian Catholic University, based at St Patrick's Campus in Melbourne. She is a scholar of late antiquity and Byzantium and has published widely on Romanos, the cult of the Virgin, late antique historiography and religious conflict in late antiquity.
Introduction; 1. On the Passion of Christ; 2. The second Adam: a typology of salvation; 3. The second creation: a new reality for Christians; 4. The second coming: a theology of time and liturgy; On the Resurrection IV: conclusions and beyond.
Erscheinungsdatum | 11.08.2021 |
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Verlagsort | Cambridge |
Sprache | englisch |
Maße | 169 x 244 mm |
Gewicht | 443 g |
Themenwelt | Literatur ► Lyrik / Dramatik ► Lyrik / Gedichte |
Geschichte ► Teilgebiete der Geschichte ► Religionsgeschichte | |
Geisteswissenschaften ► Religion / Theologie | |
ISBN-10 | 1-316-50561-8 / 1316505618 |
ISBN-13 | 978-1-316-50561-8 / 9781316505618 |
Zustand | Neuware |
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