Philip Larkin, Popular Culture, and the English Individual
Seiten
2021
Lexington Books (Verlag)
978-1-4985-4304-0 (ISBN)
Lexington Books (Verlag)
978-1-4985-4304-0 (ISBN)
This book explores Larkin’s engagement with popular culture both as a threat to poetic authority and as a necessary form of cultural capital. It reveals the processes by which the social, contemporary, and politically charged practices of everyday life become the property of the cultured individual.
Despite the denigrating revelations of his published letters, Philip Larkin looms larger than ever, both as an English national icon and as a championed voice of postwar English poetry. Philip Larkin, Popular Culture, and the English Individual seeks to move beyond the decades-long preoccupation with Larkin’s reputation and canonical status, approaching Larkin instead as part of a persevering cultural phenomenon through which the traditionally distinguished individual is reconstituted in the company of the ordinary and the interchangeable. It tracks how Larkin’s poetic texts negotiate and engage with representations of popular culture at a time when notions of celebrity, authenticity, and cultural authority were newly (and deeply) unsettled by rock and roll, and when cultural capital had become a coveted substitute for diminished imperial wealth. From his unprecedented f-bombs to his cultivation of a familiar, comedic personality, this book examines how Larkin realigns common social practices and popular art forms—be it attending a church service, watching television, or enjoying a concert—to the isolated, knowing gaze of the individual.
Despite the denigrating revelations of his published letters, Philip Larkin looms larger than ever, both as an English national icon and as a championed voice of postwar English poetry. Philip Larkin, Popular Culture, and the English Individual seeks to move beyond the decades-long preoccupation with Larkin’s reputation and canonical status, approaching Larkin instead as part of a persevering cultural phenomenon through which the traditionally distinguished individual is reconstituted in the company of the ordinary and the interchangeable. It tracks how Larkin’s poetic texts negotiate and engage with representations of popular culture at a time when notions of celebrity, authenticity, and cultural authority were newly (and deeply) unsettled by rock and roll, and when cultural capital had become a coveted substitute for diminished imperial wealth. From his unprecedented f-bombs to his cultivation of a familiar, comedic personality, this book examines how Larkin realigns common social practices and popular art forms—be it attending a church service, watching television, or enjoying a concert—to the isolated, knowing gaze of the individual.
J. Ryan Hibbett is assistant professor of English at Northern Illinois University.
Chapter 1: Negotiating the Popular
Chapter 2: The Hughes/Larkin Phenomenon
Chapter 3: Poetry Says “Fuck”: Swearing as Social Capital
Chapter 4: Larkitecture: Space, Structure, and Stuff in Post-imperial England
Chapter 5: Larkin and the English Bachelor
Afterword: More Bachelors, Artists, and Church-Goers
References
Index
About the Author
Erscheinungsdatum | 17.05.2021 |
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Verlagsort | Lanham, MD |
Sprache | englisch |
Maße | 153 x 220 mm |
Gewicht | 295 g |
Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 1-4985-4304-9 / 1498543049 |
ISBN-13 | 978-1-4985-4304-0 / 9781498543040 |
Zustand | Neuware |
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