Global Milton and Visual Art

Angelica Duran is professor of English, comparative literature, and religious studies at Purdue University. Mario Murgia is professor of English literature at the National Autonomous University of Mexico.

Part I: Panoramas

Chapter 1. An Introduction: Things Visible

Angelica Duran and Mario Murgia

Chapter 2. “More Worlds . . . Other Worlds . . . New Worlds”: Translation / Illustration / Paradise Lost

Joseph Wittreich

Part II: Cameos

Chapter 3. Doré’s Paradise Lost and Ukiyo-e Prints

Hiroko Sano

Chapter 4. Doré’s Illustrations with Cromos in El Paraíso perdido

Angelica Duran

Chapter 5. Paradise Lost in Music Videos

Ana Elena González-Treviño

Part III: Textual Close-ups

Chapter 6. Author Portraits of Milton, Authorship, and Canonization

Nathalie Collé

Chapter 7. “Delectable to Behold”: Milton’s Eve in the Artist’s Gaze

Wendy Furman-Adams

Chapter 8. Gender, Nature, and Desire in Dalí’s Paradise Lost

Joshua Reid

Chapter 9. Paradise Lost as (Hispanic) Graphic Novel

Mario Murgia

Part IV: A Prospect beyond Books

Chapter 10. How Milton’s Rebel Angels Landed in Mexico

Gabriela Villanueva

Chapter 11. The Milton Shield, Paradise Lost, and the 1867 Exposition universelle in Paris

Chia-Yin Huang

Chapter 12. Inscription, Monuments, and the Milton Window at St. Margaret’s, Westminster

Aaron Shapiro

Chapter 13. Portraits of Milton in Stained Glass

Beverley Sherry

Chapter 14. Rebel Angels: Milton, Epstein’s Lucifer, and the Kashmiri Sitter

Islam Issa and Matthew Geary

Chapter 15. Milton’s Satan in Malick’s Song to Song

Jonathan R. Olson