Nineteenth-Century British Music Studies

Peter Horton, Royal College of Music, UK and Bennett Zon, Durham University, UK Contributors: Julian Rushton, Charlotte Purkis, Grant Olwage, George Biddlecombe, Thomas Muir, Nicholas Temperley, Peter Horton, Peter Campbell, Derek Scott, Barbara Eichner, Duncan Barker, Fiona Palmer, Susan Wollenberg, Giles Brightwell, Valerie Langfield.

Contents: Introduction; Learning in London, Julian Rushton; Issues of gender: 'Leadership of fashion in musical thought': the importance of Rosa Newmarch in the context of turn-of-the-century British styles of music appreciation, Charlotte Purkis; Hym(n)ing: music and masculinity in the early Victorian church, Grant Olwage; The construction of a cultural icon: the case of Jenny Lind, George Biddlecombe; Church music: 'Hark an awful voice is sounding': redefining the English Catholic hymn repertory through The Westminster Hymnal of 1912, Thomas Muir; Ancient and modern in the work of Sir John Stainer, Nicholas Temperley; '...the highest point up to that time reached by the combination of Hebrew and Christian sentiment in music', Peter Horton; National identity: 'Unfurl the flag and Federate': flags as a representation of patriotism and nationalism in Australian Federation songs, 1880-1906, Peter Campbell; English national identity and the comic operas of Gilbert and Sullivan, Derek Scott; Singing the songs of Scotland: the German musician Johann Rupprecht Dürrner and musial life in 19th-century Edinburgh, Barbara Eichner; National and local institutions: Another string to his bow: the composer conducts, Duncan Barker; Vincent Novello and the Philharmonic Society of London, Fiona Palmer; The Oxford commemorations and 19th-century British festival culture, Susan Wollenberg; One equal music: the emergence of the Royal College of Music, Giles Brightwell; The family von Glehn, Valerie Langfield; Index.