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Theatre and Governance in Britain, 1500–1900

Democracy, Disorder and the State

(Autor)

Buch | Softcover
292 Seiten
2020
Cambridge University Press (Verlag)
978-1-316-63331-1 (ISBN)
38,65 inkl. MwSt
This book offers a critical re-examination of theatre's relation to the public sphere and shows how theatre was assimilated to the interests of government by suppressing various 'democratic' disorders associated with the stage. It will interest those working in the area of theatre history and its relation to social history and politics.
This book begins with a simple observation - that just as the theatre resurfaced during the late Renaissance, so too government as we understand it today also began to appear. Their mutually entwining history was to have a profound influence on the development of the modern British stage. This volume proposes a new reading of theatre's relation to the public sphere. Employing a series of historical case studies drawn from the London theatre, Tony Fisher shows why the stage was of such great concern to government by offering close readings of well-known religious, moral, political, economic and legal disputes over the role, purpose and function of the stage in the 'well-ordered society'. In framing these disputes in relation to what Michel Foucault called the emerging 'art of government', this book draws out - for the first time - a full genealogy of the governmental 'discourse on the theatre'.

Tony Fisher is a Reader in Theatre and Philosophy at the Royal Central School of Speech and Drama, University of London, where he is Associate Director of Research (Research Degrees). He has published a number of journal articles in both theatre and philosophy, and he is the co-editor of books including Performing Antagonism: Theatre, Performance and Radical Democracy (2016) and Theatre, Performance, Foucault! (forthcoming).

Introduction. The discourses of theatre and governance; Part I. Origins of the Discourse on Theatre: 1. The theatre of the multitude; 2. Revolts of conduct on the Restoration stage; Part II. Theatre and its Publics: 3. Theatrocracy and the public sphere; 4. The Beggar's Opera and the criminal picturesque; 5. The deontic stage in the eighteenth century: George Lillo's The London Merchant; Part III. Theatre in the Age of Reform: 6. The governmentalisation of the stage; 7. The theatre dispositif of the late-nineteenth century.

Erscheinungsdatum
Zusatzinfo Worked examples or Exercises
Verlagsort Cambridge
Sprache englisch
Maße 150 x 230 mm
Gewicht 430 g
Themenwelt Kunst / Musik / Theater Theater / Ballett
Geisteswissenschaften
Sozialwissenschaften Politik / Verwaltung
ISBN-10 1-316-63331-4 / 1316633314
ISBN-13 978-1-316-63331-1 / 9781316633311
Zustand Neuware
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