Time in the History of Art

Dan Karlholm is professor of art history at Södertörn University in Stockholm. Keith Moxey is professor emeritus at Barnard College/Columbia University.

Introduction: Dan Karlholm and Keith Moxey Part I. Historical Time Chapter 1: Is History to Be Closed, Saved, or Restarted? Considering Efficient Art History Chapter 2: What Time is it in the History of Art? Part II: Post-Colonial Time Chapter 3: Time processes in the history of the Asian Modern Chapter 4: Colonial Modern: A Clash of Colonial and Indigenous Chronologies Chapter 5: Artists, amateurs and the pleated time of Ottoman modernity Chapter 6: The Time of Translation: Victor Burgin and Sedad Eldem in Virtual Conversation Part III: Artist's Time Chapter 7: Arresting What Would Otherwise Slip Away: The Waiting Images of Jacob Vrel Chapter 8: Twisted Time: Fernando Bryce’s Art of History Chapter 9: Heterochronies: The Gospel According to Caravaggio Part V: Ontological Time Chapter 10: The Phenomenal Sublime: Time, Matter, Image in Mesopotamian Antiquity Chapter 11: Resisting Time: On How Temporality Shaped Medieval Choice of Materials Chapter 12: Sarah Sze’s The Last Garden and the Temporality of Wonder Chapter 13: Showtime and Exposure Tie. The Contradictions of Social Photography and the Critical Role of Sensitive Plates for Rethinking the Temporality of Artworks Chapter 14: ‘Objects moving are not impressed’: Reading into the blur