Shakespeare's Language in Digital Media

Janelle Jenstad is Associate Professor in the Department of English, University of Victoria, Canada. Mark Kaethler is an English Instructor at Medicine Hat College, Canada. Jennifer Roberts-Smith is Assistant Professor and Associate Chair, Theatre and Performance in the Department of Drama and Speech Communication, University of Waterloo, Canada.

Introduction (Jennifer Roberts-Smith) Part I Old words through new tools: re-reading Shakespeare with EEBO-TCP and LEME 1. Beyond the OED loop: digital resources and the Arden 3 Cymbeline (Valerie Wayne) 2. Shakespeare’s hard words, and our hard senses (Ian Lancashire and Elisa Tersigni) 3. Terms of art in law and herbals (Daniel Aureliano Newman) 4. "Strangers enfranchised": Shakespeare’s Hamlet and the mother tongue (Elizabeth Bernath) Part II Old words, new worlds: Shakespeare’s language in digital editions 5. Text, performance, and multidisciplinarity: on a digital edition of King Leir (Andrew Griffin) 6. A digital parallel-text approach to performance historiography (Toby Malone) Part III Olds words, new codes: Shakespeare and the language of markup 7. Storing and accessing knowledge: digital tools for the study of early modern drama (Laura Estill and Andie Silva) 8. Past texts, present tools, and future critics: toward rhetorical schematics (Michael Ullyot and Adam Bradley) 9. Internet Shakespeare Editions and the infinite (editorial) others: supporting critical tagsets for linked editions (Diane Jakacki) Afterwords: Playful provocations for editing Shakespeare’s language in digital media