The End of Modernism
Elias Canetti's Auto-da-Fé
Seiten
2020
The University of North Carolina Press (Verlag)
978-1-4696-5742-4 (ISBN)
The University of North Carolina Press (Verlag)
978-1-4696-5742-4 (ISBN)
Nobel laureate Elias Canetti wrote his novel Auto-da-Fe when he and the twentieth century were still quite young. The End of Modernism places this work in its cultural and philosophical contexts, situating the novel not only in relation to Canetti's considerable body of social thought, but also within larger debates.
Nobel laureate Elias Canetti wrote his novel Auto-da-Fe (Die Blendung) when he and the twentieth century were still quite young. Rooted in the cultural crises of the Weimar period, Auto-da-Fe first received critical acclaim abroad--in England, France, and the United States--where it continues to fascinate readers of subsequent generations. The End of Modernism places this work in its cultural and philosophical contexts, situating the novel not only in relation to Canetti's considerable body of social thought, but also within larger debates on Freud and Freudianism, misogyny and modernism's "fragmented subject," anti-Semitism and the failure of humanism, contemporary philosophy and philosophical fads, and traditionalist notions of literature and escapist conceptions of history. The End of Modernism portrays Auto-da-Fe as an exemplum of "analytic modernism," and in this sense a crucial endpoint in the progression of postwar conceptions of literary modernism.
Nobel laureate Elias Canetti wrote his novel Auto-da-Fe (Die Blendung) when he and the twentieth century were still quite young. Rooted in the cultural crises of the Weimar period, Auto-da-Fe first received critical acclaim abroad--in England, France, and the United States--where it continues to fascinate readers of subsequent generations. The End of Modernism places this work in its cultural and philosophical contexts, situating the novel not only in relation to Canetti's considerable body of social thought, but also within larger debates on Freud and Freudianism, misogyny and modernism's "fragmented subject," anti-Semitism and the failure of humanism, contemporary philosophy and philosophical fads, and traditionalist notions of literature and escapist conceptions of history. The End of Modernism portrays Auto-da-Fe as an exemplum of "analytic modernism," and in this sense a crucial endpoint in the progression of postwar conceptions of literary modernism.
William Collins Donahue is associate professor of German and a member of the Jewish Studies faculty at Rutgers University-New Brunswick.
Erscheinungsdatum | 02.07.2020 |
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Reihe/Serie | University of North Carolina Studies in Germanic Languages and Literature |
Zusatzinfo | 9 halftones |
Verlagsort | Chapel Hill |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 333 g |
Themenwelt | Geisteswissenschaften ► Philosophie ► Philosophie der Neuzeit |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Germanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 1-4696-5742-2 / 1469657422 |
ISBN-13 | 978-1-4696-5742-4 / 9781469657424 |
Zustand | Neuware |
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