British Spy Fiction and the End of Empire - Sam Goodman

British Spy Fiction and the End of Empire

(Autor)

Buch | Softcover
186 Seiten
2019
Routledge (Verlag)
978-0-367-86960-1 (ISBN)
49,85 inkl. MwSt
Drawing focus on a crucial period of contemporary British history, this book explores Cold War anxieties over Imperial decline and British identity through analysis of space in popular twentieth-century spy fiction, enabling the cultural impact of decolonisation to be read in a new and revealing light. Visiting the literary representation of spa
The position of spy fiction is largely synonymous in popular culture with ideas of patriotism and national security, with the spy himself indicative of the defence of British interests and the preservation of British power around the globe. This book reveals a more complicated side to these assumptions than typically perceived, arguing that the representation of space and power within spy fiction is more complex than commonly assumed. Instead of the British spy tirelessly maintaining the integrity of Empire, this volume illustrates how spy fiction contains disunities and disjunctions in its representation of space, and the relationship between the individual and the state in an era of declining British power.



Focusing primarily on the work of Graham Greene, Ian Fleming, Len Deighton, and John le Carre, the volume brings a fresh methodological approach to the study of spy fiction and Cold War culture. It presents close textual analysis within a framework of spatial and sovereign theory as a means of examining the cultural impact of decolonization and the shifting geopolitics of the Cold War. Adopting a thematic approach to the analysis of space in spy fiction, the text explores the reciprocal process by which contextual history intersects with literature throughout the period in question, arguing that spy fiction is responsible for reflecting, strengthening and, in some cases, precipitating cultural anxieties over decolonization and the end of Empire.



This study promises to be a welcome addition to the developing field of spy fiction criticism and popular culture studies. Both engaging and original in its approach, it will be important reading for students and academics engaged in the study of Cold War culture, popular literature, and the changing state of British identity over the course of the latter twentieth century.

Sam Goodman is Lecturer in English and Communication at Bournemouth University, UK. His primary research interests include twentieth-century fiction, and medical humanities. He is also the editor of Medicine, Health & the Arts: Approaches to the Medical Humanities (Routledge 2013) with Victoria Bates (Bristol) and Alan Bleakley (Plymouth).

Introduction: Hiding in Plain Sight: Locating the Spy in the British Cultural Imaginary 1. Divided States: Space, Power and Occupied Territory in Post-War Europe 2. Between Battleground & Fairground: British Espionage Fiction and Post War London 3. Safe as Houses: The Spy & Domestic Space 4. One Way Ticket: Travel, Identity and Espionage 5. Winds of Change: Colonial Space and Clandestinity Conclusion: British Spy Fiction: The End of Empire & the End of an Era

Erscheinungsdatum
Reihe/Serie Routledge Studies in Twentieth-Century Literature
Verlagsort London
Sprache englisch
Maße 152 x 229 mm
Gewicht 453 g
Themenwelt Geisteswissenschaften Geschichte Regional- / Ländergeschichte
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 0-367-86960-8 / 0367869608
ISBN-13 978-0-367-86960-1 / 9780367869601
Zustand Neuware
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