The Routledge Handbook of Music Signification
Routledge (Verlag)
978-0-8153-7645-3 (ISBN)
Examinations of music signification have been an essential component in thinking about music for millennia, but it is only in the last few decades that music signification has been established as an independent area of study. During this time, the field has grown exponentially, incorporating a vast array of methodologies that seek to ground how music means and to explore what it may mean. Research in music signification typically embraces concepts and practices imported from semiotics, literary criticism, linguistics, the visual arts, philosophy, sociology, history, and psychology, among others. By bringing together such approaches in transparent groupings that reflect the various contexts in which music is created and experienced, and by encouraging critical dialogues, this volume provides an authoritative survey of the discipline and a significant advance in inquiries into music signification.
This book addresses a wide array of readers, from scholars who specialize in this and related areas, to the general reader who is curious to learn more about the ways in which music makes sense.
Esti Sheinberg published articles on music signification; Irony, Satire, Parody and the Grotesque in the Music of Shostakovich (Ashgate, 2000); edited Music Semiotics: A Network of Significations—in Honour and Memory of Raymond Monelle (Ashgate, 2012), and Anatoly Milka’s Rethinking J. S. Bach’s The Art of Fugue (Ashgate-Routledge, 2016). William P. Dougherty, Ellis and Nelle Levitt Professor of Music Theory and Composition at Drake University, has published articles on music semiotics and on the semiotics of the art song. In particular, he has explored settings of the Mignon Lieder from Goethe’s Wilhelm Meisters Lehrjahre.
Introduction
Esti Sheinberg and William P. Dougherty
Music Signification and Philosophy
"Musik ist das nicht": On Romantic Incomprehensibility in Chopin
Jamie Liddle
From Semio-ethics to a Semiotics of Speech in Music and Musicology: Theoretical (and Utopian) Projections
Christine Esclapez
Music and Reality
Ben Curry
From Ursatz to Urzemic: Avenues for Theories and Analyses of Music SignificationEero Tarasti
Music Signification and Semiotics
The Musical Signifier
Lawrence Kramer
Barthes’s The Grain of the Voice Revisited
Anne Kauppala
Britten and Stravinsky’s Neoclassical Opera: Signs, Signification, and Subjectivity
Nicholas P. McKay
Fundamental Concepts for the Semiotic Interpretation of Musical Meaning: A Personal Journey
Robert Hatten
Music Signification and Topic Theory
Patterns and Topics as Elements of Signification in Late Eighteenth-Century Music
Lauri Suurpää
"Mad Day" and the "March of Bacchus": Figaro in Mahler’s Third Symphony
Lóránt Péteri
Topics and Stylistic Register in Russian Opera, 1775–1800
Johanna Frymoyer
She Spins and She Sighs: The Spinning-Wheel Topic and the Lamentation of the Romantic Female
Chia-Yi Wu
Charles Griffes’s Xanadu: A Musical Garden of Opposites
Taylor A. Greer
Music Signification and Narrative
Music Narrative: Theory, Context, Subjectivity
Byron Almén
Motivic Linkage and Actantial Pairing in Britten’s Operas
Michael Baker
The Narrative Rhetoric of Beethoven’s Fifth Symphony
Anatole Leikin
From Music Signification to Musical Narrativity: Concepts and Analyses
Márta Grabócz
Music Signification and Society
Musical Vernaculars and their Signifying Transformations
Marina Ritzarev
Multimodal Reinforcement and Worlds of Sense: A Political Approach to Musical Emotions
Oscar Hernández-Salgar
Reading Meaning In and Out of Music from Theresienstadt: The Case of Pavel Haas
Martin Čurda
FKA twigs and Popular Music Signification: The Challenge of Fluid Clarity
William Echard
Lost Innocence: Signifying East, Signifying West
Edward Campbell
Music Signification and Emotion, Cognition and Embodiment
Four Flavors of Pre-Modern Emotion
Michael Spitzer
Music as Experience: Musical Sense-making between Step-by-Step Processing and Synoptic Overview
Mark Reybrouck
Melody as Representation
David Lidov
Music Signification and Education
Musical Semiosis as a Process of Learning and Growth
Juha Ojala
A Pragmatic Map of Music Signification for Music Analysis Courses
Joan Grimalt
Music Signification and Intermediality
The Operatic Principle: Negotiating Contradictory Demands of Signification
Bálint Veres
Pianto as a Topical Signifier of Grief in Contemporary Operas by John Adams, Thomas Adès, and Kaija Saariaho
Yayoi Uno Everett
Musical Ekphrasis: The Evolution of the Concept and the Breadth of its Application
Siglind Bruhn
Bibliography
| Erscheinungsdatum | 01.04.2020 |
|---|---|
| Reihe/Serie | Routledge Music Handbooks |
| Zusatzinfo | 10 Tables, black and white; 65 Line drawings, black and white; 1 Halftones, black and white; 76 Illustrations, black and white |
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 174 x 246 mm |
| Gewicht | 453 g |
| Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
| Geisteswissenschaften ► Philosophie ► Philosophie der Neuzeit | |
| ISBN-10 | 0-8153-7645-6 / 0815376456 |
| ISBN-13 | 978-0-8153-7645-3 / 9780815376453 |
| Zustand | Neuware |
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