Non-Cinema
Bloomsbury Academic USA (Verlag)
978-1-5013-6165-4 (ISBN)
Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa.
William Brown is Senior Lecturer in Film at the University of Roehampton, UK. He is the author of Supercinema: Film-Philosophy for the Digital Age (2013), Moving People, Moving Images: Cinema and Trafficking in the New Europe (2010), with Dina Iordanova and Leshu Torchin, and co-editor, with David Martin-Jones, of Deleuze and Film (2012).
Acknowledgements
Introduction: What is Non-cinema?
1. Digital Dreams in Afghanistan
2. The Iranian Digital Underground, Multitudinous Cinema and the Diegetic Spectator
3. Digital Entanglement and the Blurring of Fiction and Documentary in China
4. Digital Darkness in the Philippines
5. Digital acinema from afrance
6. The Cruel, Monstrous Extreme of the Digital
7. A Certain Compatibility: The British Digital Wave
8. Non-cinema in the Heart of Cinema
9. Globalisation, Erasure, Poverty: Digital Non-Cinema in Uruguay
10. Cinema out of Control: These are Not Films
11. Farewell to Cinema; Hello to Africa
Conclusion
Bibliography
Index
Erscheinungsdatum | 24.01.2020 |
---|---|
Reihe/Serie | Thinking Cinema |
Zusatzinfo | 15 bw illus |
Verlagsort | New York |
Sprache | englisch |
Maße | 152 x 229 mm |
Gewicht | 417 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Geisteswissenschaften ► Philosophie | |
ISBN-10 | 1-5013-6165-1 / 1501361651 |
ISBN-13 | 978-1-5013-6165-4 / 9781501361654 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
aus dem Bereich