Art Hack Practice

Victoria Bradbury is a new media artist and researcher who creates interactive installations, virtual reality artworks and performances. She teaches interactive New Media at The University of North Carolina Asheville and holds a PhD from the CRUMB research group at the University of Sunderland and an MFA from Alfred University. Her website is www.victoriabradbury.com. Suzy O’Hara is a curator and researcher based at the University of Sunderland. Through her practice, she interrogates evolving relationships between art and technology and investigates interdisciplinary and cross-industry models of curation that utilise and inform innovation-based strategies. She holds a PhD from the CRUMB research group at the University of Sunderland and an MA in Curatorial Studies from Newcastle University.

Forward Introduction Part 1: Histories and Futures 1. Art History Hacked: Art Hack Practice as an Intra-garde 3. The Afrikan Maker: Hacking Our Way into a Hybrid Future… 3. Reprogrammed Art, A Bridge between the History of Interactive Art and Maker Culture 4. DIWO to DAOWO: Rehashing Proprietorial Dominance of Art Practice Part 2: Labs and Fab Labs 5. Pervasive Media Studio: Propagating Practice 6. Elaborating on Labs: Reflections on the Blurring Boundaries between Arts, Science, Technology and Society 7. Participating in the Viscous Porosity of Makerspaces and Fab Labs: A Participatory Art Perspective Part 3: Engaged Communities 8. Iyapo Repository: Constructing and Archiving Alternate Futures 9. Future Heritage: A Community-Based Exchange between Berlin and Ramallah المستقبل تر

10. Little Inventors: From Artistic Method to Global Brand Part 4: Hack Events, Residencies and Workshops 11. Cyborg Arts Co-Lab: Interdisciplinary Collaboration Enriched Through Art-A-Hack™ Practices 12. Delivering Hack Events within the Arts 13. Where Do We Work? Things We Chat about While Sorting SIM-Cards: A Conversation with Constant Dullaart 14. Art Hack Day Part 5: Museums, Galleries, Festivals and Programs 15. Critical Making as a Model for Curating or Making Exhibitions as Things to Think With 16. WIKITOPIA Hong Kong: Curating a Collaborative Urban Future 17. The Evolution of the ODI Data as Culture Art Programme 18. Tracking Hack-Style Interdisciplinary Processes at Laboratorio Arte Alameda, Mexico City 19. The Making of Digital Futures