The Court and Its Critics
Anti-Court Sentiments in Early Modern Italy
Seiten
2020
University of Toronto Press (Verlag)
978-1-4875-0544-8 (ISBN)
University of Toronto Press (Verlag)
978-1-4875-0544-8 (ISBN)
The Court and Its Critics focuses on the disillusionment with courtliness, the derision of those who live at court, and the open hostility toward the court, themes common to Renaissance culture.
Anti-courtly discourse furnished a platform for discussing some of the most pressing questions of early modern Italian society. The court was the space that witnessed a new form of negotiation of identity and prestige, the definition of masculinity and of gender-specific roles, the birth of modern politics and of an ethics based on merit and on individual self-interest.
The Court and Its Critics analyses anti-courtly critiques using a wide variety of sources including manuals of courtliness, dialogues, satires, and plays, from the mid-fifteenth to the early seventeenth century. The book is structured around four key figures that embody different features of anti-courtly sentiments. The figure of the courtier shows that sentiments against the court were present even among those who apparently benefitted from such a system of power. The court lady allows an investigation of the intertwining of anti-courtliness and anti-feminism. The satirist and the shepherd of pastoral dramas are investigated as attempts to fashion two different forms of a new self for the court intellectual.
Anti-courtly discourse furnished a platform for discussing some of the most pressing questions of early modern Italian society. The court was the space that witnessed a new form of negotiation of identity and prestige, the definition of masculinity and of gender-specific roles, the birth of modern politics and of an ethics based on merit and on individual self-interest.
The Court and Its Critics analyses anti-courtly critiques using a wide variety of sources including manuals of courtliness, dialogues, satires, and plays, from the mid-fifteenth to the early seventeenth century. The book is structured around four key figures that embody different features of anti-courtly sentiments. The figure of the courtier shows that sentiments against the court were present even among those who apparently benefitted from such a system of power. The court lady allows an investigation of the intertwining of anti-courtliness and anti-feminism. The satirist and the shepherd of pastoral dramas are investigated as attempts to fashion two different forms of a new self for the court intellectual.
Paola Ugolini is an assistant professor in the Department of Romance Languages and Literatures at the University at Buffalo.
Introduction
1. The Courtier
2. The Lady
3. The Satirist
4. The Shepherd
Afterword
Bibliography
Erscheinungsdatum | 05.07.2021 |
---|---|
Reihe/Serie | Toronto Italian Studies |
Zusatzinfo | 12 b&w illustrations |
Verlagsort | Toronto |
Sprache | englisch |
Maße | 165 x 235 mm |
Gewicht | 600 g |
Themenwelt | Geisteswissenschaften ► Archäologie |
Geschichte ► Allgemeine Geschichte ► Neuzeit (bis 1918) | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 1-4875-0544-2 / 1487505442 |
ISBN-13 | 978-1-4875-0544-8 / 9781487505448 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Europa 1848/49 und der Kampf für eine neue Welt
Buch | Hardcover (2023)
DVA (Verlag)
48,00 €
Giordano Bruno - ein ketzerisches Leben
Buch | Hardcover (2024)
C.H.Beck (Verlag)
29,90 €
Kunst und Gesellschaft an der Schwelle zur globalen Welt
Buch | Hardcover (2024)
Klett-Cotta (Verlag)
42,00 €