Making It Up Together – The Art of Collective Improvisation in Balinese Music and Beyond
University of Chicago Press (Verlag)
978-0-226-66113-1 (ISBN)
Through two contrasting Balinese case studies—of the reyong gong chime’s melodic norot practice and the interlocking drumming tradition kendang arja—Tilley proposes and tests analytical frameworks for examining collectively improvised performance. At the micro-level, Tilley’s analyses offer insight into the note-by-note decisions of improvising performers; at the macro-level, they illuminate larger musical, discursive, structural, and cultural factors shaping those decisions. This multi-tiered inquiry reveals that unpacking how performers play and imagine as a collective is crucial to understanding improvisation and demonstrates how music analysis can elucidate these complex musical and interactional relationships.
Highlighting connections with diverse genres from various music cultures, Tilley’s examinations of collective improvisation also suggest rich potential for cross-genre exploration. The surrounding discussions point to larger theories of communication and interaction, creativity and cognition that will be of interest to a range of readers—from ethnomusicologists and music theorists to cognitive psychologists, jazz studies scholars, and improvising performers. Setting new parameters for the study of improvisation, Making It Up Together opens up fresh possibilities for understanding the creative process, in music and beyond.
Leslie A. Tilley is associate professor in ethnomusicology at the Massachusetts Institute of Technology. She is particularly interested in exploring analytical approaches to world musics and has published in Ethnomusicology, The Springer Handbook of Systematic Musicology, and the Current Research in Systematic Musicology volume Computational Phonogram Archiving. She loves and plays Balinese music.
Notes on Pronunciation
Prelude
1 The Complicated Story of Improvisation: Models and Methods, Creativity and Conceptual Space
2 Finding an Unspoken Model: The Boundaries of Reyong Norot
3 Analyzing Improvisations on a Known Model: The Freedom of Reyong Norot
4 Analyzing Collectivity: Models and Interactions in Practice
5 Unraveling Unconscious Models: The Boundaries of Kendang Arja
6 Beyond Generalizations: The Freedom of Kendang Arja
Postlude
Acknowledgments
Glossary of Frequently Used Terms
Notes
References
Index
Erscheinungsdatum | 19.12.2019 |
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Reihe/Serie | Chicago Studies in Ethnomusicology CSE (CHUP) |
Sprache | englisch |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
Sachbuch/Ratgeber ► Geschichte / Politik ► Allgemeines / Lexika | |
Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
Sozialwissenschaften ► Ethnologie | |
Sozialwissenschaften ► Soziologie | |
ISBN-10 | 0-226-66113-X / 022666113X |
ISBN-13 | 978-0-226-66113-1 / 9780226661131 |
Zustand | Neuware |
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