The Routledge Handbook of Shakespeare and Global Appropriation
Routledge (Verlag)
978-1-138-05019-8 (ISBN)
The Routledge Handbook of Shakespeare and Global Appropriation brings together a variety of different voices to examine the ways that Shakespeare has been adapted and appropriated onto stage, screen, page, and a variety of digital formats. The thirty-nine chapters address topics such as trans- and intermedia performances; Shakespearean utopias and dystopias; the ethics of appropriation; and Shakespeare and global justice as guidance on how to approach the teaching of these topics.
This collection brings into dialogue three very contemporary and relevant areas: the work of women and minority scholars; scholarship from developing countries; and innovative media renderings of Shakespeare. Each essay is clearly and accessibly written, but also draws on cutting edge research and theory. It includes two alternative table of contents, offering different pathways through the book – one regional, the other by medium – which open the book up to both teaching and research.
Offering an overview and history of Shakespearean appropriations, as well as discussing contemporary issues and debates in the field, this book is the ultimate guide to this vibrant topic. It will be of use to anyone researching or studying Shakespeare, adaptation, and global appropriation.
Christy Desmet was Josiah Meigs Distinguished Professor at the University of Georgia in Athens, Georgia, USA, and co-general editor of Borrowers and Lenders: The Journal of Shakespeare and Appropriation. Sujata Iyengar is Professor of English at the University of Georgia in Athens, Georgia, USA, and co-founder and co-editor of Borrowers and Lenders: The Journal of Shakespeare and Appropriation. Miriam Jacobson is Associate Professor of English at the University of Georgia in Athens, Georgia, USA.
Introduction: Shakespearean Appropriation in Inter/National Contexts
Sujata Iyengar and Miriam Jacobson
Part 1: Transcultural and Intercultural Shakespeares
"the great globe itself . . . shall dissolve": Art after the Apocalypse in Station Eleven
Sharon O’Dair
Others Within: Ethics in the Age of Global Shakespeare
Alexa Alice Joubin
"You say you want a revolution"? Shakespeare in Mexican [Dis]Guise
Alfredo Michel Modenessi
"Don’t it Make My Brown Eyes Blue": Uneasy Assimilation and the Shakespeare-Latinx Divide
Ruben Espinosa
"To Appropriate these White Centuries": James Baldwin’s Race Conscious Shakespeare
Jason Demeter
Bishonen Hamlet: Stealth-Queering Shakespeare in Manga Shakespeare: Hamlet
Brandon Christopher
Edmund Hosts William: Appropriation, Polytemporality, and Postcoloniality in Frank McGuinness’s Mutabilitie
Barbara Sebek
Shakespeare Appropriation and Queer Latinx Empowerment in Josh Inocéncio’s Ofélio
Katherine Gillen
Calibán Rex? Cultural Syncretism in Teatro Buendía’s Otra Tempestad
Jennifer Flaherty
Fooling Around with Shakespeare: The Curious Case of "Indian" Twelfth Nights
Poonam Trivedi
Part 2: Decolonizing Shakespeares
"Flipping the Turtle on Its Back": Shakespeare, Decolonization, and the First Peoples in Canada
Daniel Fischlin
Nomadic Shylock: Nationhood and its Subversion in The Merchant of Venice
Avraham Oz
"What country, friend, is this?" Carlos Díaz’s Cuban Illyria
Donna Woodford-Gormley
Inheriting the Past, Surviving the Future
Adele Seeff
The Politics of African Shakespeare
Jane Plastow
Da Kine Shakespeare: James Grant Benton’s Twelf Nite O Wateva!
Theresa M. DiPasquale
Part 3: World Pedagogical Shakespeares
Make New Nations: Shakespearean Communities in the Twenty-First Century
Sheila T. Cavanagh
Appropriating Shakespeare for Marginalized Students
Jessica Walker
Beyond Appropriation: Teaching Shakespeare with Accidental Echoes in Film
Matthew Kozusko
Teaching Global Shakespeare: Visual Culture Projects in Action
Laurie Osborne
Part 4: Regional, Local, and "Glocal" Shakespeares
Othello in a Prevailingly Homogenous Ethnic Society
Krystyna Kujawinska Courtney
Shakespeare in Ireland: 1916 to 2016
Nicholas Grene
Shakespeare’s Presence in the Land of Ancient Drama: Karolos Koun’s Attempts to Acculturate Shakespeare in Greece
Tina Krontiris
"To Be/Not to Be": Hamlet and the Threshold of Potentiality in Post-Communist Bulgaria
Kirilka Stavreva and Boika Sokolova
What’s in a Name? Shakespeare and Japanese Pop Culture
Ryuta Minami
Subjugating Arab Forms to European Meters
David Moberly
Shakespeare’s Anashid (translation)
David Moberly
Paul Robeson, Margaret Webster and their Transnational Othello
Robert Sawyer
Part 5: Transmedia Shakespeares
Ecologies of the Shakespearean Artists’ Book
Sujata Iyengar
Falstaff and the Constructions of Musical Nostalgia
Stephen Buhler
The Moor Makes a Cameo: Serial, Shakespeare and White Racial Frame
Vanessa Corredera
De-emphasizing Race in Young Adult Novel Adaptations of Othello
Keith Botelho
Resisting History and Atoning for Racial Privilege: Shakespeare’s Henriad in HBO’s The Wire
L. Monique Pittman
Indigenizing Shakespeare: Haider and the Politics of Appropriation
Amrita Sen
Ovidian Appropriations, Metamorphic Illusion, and Theatrical Practice on the Shakespearean Stage
Lisa S. Starks
Determined to Prove a Villain? Appropriating Richard III’s Disability in Recent Graphic Novels and Comics
Marina Gerzic
Some Tweeting Cleopatra: Crossing Borders On and Off the Shakespearean Stage
Louise Geddes
The Sandman as Shakespearean Appropriation
Miriam Jacobson
Shakespeare’s Scattered Leaves: Mutilated Books, Unbound Pages, and the Circulation of the First Folio
Christy Desmet
Erscheinungsdatum | 17.09.2019 |
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Reihe/Serie | Routledge Literature Handbooks |
Zusatzinfo | 14 Halftones, black and white; 14 Illustrations, black and white |
Verlagsort | London |
Sprache | englisch |
Maße | 174 x 246 mm |
Gewicht | 952 g |
Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 1-138-05019-9 / 1138050199 |
ISBN-13 | 978-1-138-05019-8 / 9781138050198 |
Zustand | Neuware |
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