Reinventing Marie Corelli for the Twenty-First Century

Brenda Ayres teaches graduate and undergraduate programs in English, professional writing and education at Liberty University in Lynchburg, Virginia, USA. She has published extensively on eighteenth- and nineteenth-century literature with her most recent being Victorians and Their Animals: Beast on a Leash (2018), Biographical Misrepresentations of British Women Writers: A Hall of Mirrors and the Long Nineteenth Century (2017) and Betwixt and Between: The Biographies of Mary Wollstonecraft (2017). Ayres has also published articles on Corelli in several edited volumes including Silent Voices: Forgotten Novels by Victorian Women Writers (2003). Sarah E. Maier teaches English & Comparative Literature at the University of New Brunswick, Canada. She has published scholarly editions of Thomas Hardy’s Tess of the D’Urbervilles, Bram Stoker’s The Lady of the Shroud as well as articles on the work of J. M. Barrie, C. Bronte, E. D’Arcy, G. Eliot, J. K. Rowling, M. Wollstonecraft and others. The recipient of several teaching awards including the Dr. Allan P. Stuart Award for Excellence in Teaching (2003), Maier was appointed University Teaching Scholar in 2006.

Introduction, Brenda Ayres and Sarah E. Maier; 1. Stratford-upon-Avon’s ‘Great Little Lady’, Nick Leigh Birch; 2. From ‘Girl Alone’ to ‘Genius’: Corelli’s Transforming Epistolary Rhetoric, Colleen Morrissey; 3. Marie Corelli, the Public Sphere and Public Opinion, Julia Kuehn; 4. ‘The Muses Are Women; So Are the Fates’: Corelli’s Literary Masquerade(s), Sarah E. Maier; 5. The Devil & Miss Corelli: Re-gendering the Diabolical and the Redemptive in ‘The Sorrows of Satan’, Julianne Smith; 6. Muscular Christianity Unbound: Masculinity in ‘Ardath’, Gareth Hadyk-DeLodder; 7. Over Her (Un)dead Body: Gender Politics, Mediumship and Feminist Spiritual Theology in the Works of Marie Corelli, Carol Margaret Davison; 8. ‘The Story of a Dead Self’: The Theosophical Novels of Marie Corelli, Brenda Ayres; 9. ‘Something Vile in the Composition’: Marie Corelli’s ‘Ziska’, Decadent Portraiture and the New Woman, Angie Blumberg; Index.