Two Masterpieces of Kutiyattam -

Two Masterpieces of Kutiyattam

Mantrankam and Anguliyankam

David Shulman, Heike Oberlin (Herausgeber)

Buch | Hardcover
356 Seiten
2019
OUP India (Verlag)
978-0-19-948359-4 (ISBN)
74,80 inkl. MwSt
Kutiyattam, India's only living traditional Sanskrit theatre, has been continually performed in Kerala for at least a thousand years. The actors and drummers create an entire world in the empty space of the stage by using spectacular costumes and make-up and by an immensely rich interplay of words, rhythms, mime, and gestures.

This volume focuses on Mantrankam and Anguliyankam, the two great masterpieces of Kutiyattam. It provides fundamental general remarks and relates them to pan-Indian reflections on aesthetics, philology, ritual studies, and history. Authored by scholars and active Kutiyattam performers, this is the first attempt to bring together a set of sustained, multi-faceted interpretations of these masterpieces-in-performance. With an aim to open up this ancient art form to readers
interested in South Indian culture, religion, theatre and performance studies, philology as well as literature, this volume offers a new way to access a major art form of pre-modern and modern Kerala.

David Shulman is Professor Emeritus, Department of Asian Studies, Hebrew University of Jerusalem, Israel.

Heike Oberlin is Associate Professor, Department of Indology, University of Tubingen, Germany.

Two Masterpieces of Kuttiyattam:
Mantrankam and Anguliyakam

Heike Oberlin & David Shulman
(in cooperation with Elena Mucciarelli)

Delhi: Oxford University Press
2019



Table of Contents

Introduction (Heike Oberlin & David Shulman)

Preface (K.K. Gopalakrishan)



Opening up
* A?gul?y??kam and Mantr??kam: Two Wondrous Crest Jewels of K??iy???am (Sudha Gopalakrishnan)
* Some Remarks on the ??caryac???ma?i: Reflections, Reflexivity and Wonder (Lyne Bansat-Boudon)

Mantr??kam
* Mantr??kam, an Ancient Integration Project? Its Structure and Composition (Heike Oberlin)
* What is Mantr??kam? (David Shulman)
* Pracchana B?rhaspatyam: Irony and Illusion, Reality, Reflection and Play in Mantr??kam (Orly Hadani Nave)
* Reflection and Aru?: Creating ?iva on the K??iya??am Stage (Hemdat Salay)
* Vasantaka: Personal Considerations from Within the Practice (Indu G.)
* Mantr??kam: An Arena for Experimentation (Elena Mucciarelli)
* The Mantr??kam Paribh??a from a Historical Linguistics Perspective (Ophira Gamliel)
* Tying the Universe: The Interplay of Veda and K??iy???am with special reference to Mantr??kam (Elena Mucciarelli & Heike Oberlin)

A?gul?ya?kam
* A?gul?y??kam, R?m?ya?a-Veda of the C?ky?rs (Virginie Johan)
* A?gul?y??kam: The N??yaveda of K??iy???am (Bhadra P.K.M. & Rajneesh B.)
* The World of Hanum?n: Creating a Fluid Cosmos on a Kerala K??iy???am Stage (Einat Bar-On Cohen)
* Distinct Conventions in the Staging of A?gul?y??kam K?ttu (Ammannur Kuttan Chakyar & Aparna Nangiar)

Tying up
* My Experience of Performing A?gul?y??kam and Mantr??kam (Madhu Margi Chakyar)
* Knowing and Being: K?t?iya???am and its Semantic Universe (Manu V. Devadevan)
* An Actor in Red and White: The C?ky?r Community and the Early Ma?ipr?va?am Corpus (Sivan Goren)


Note on the Contributors

Erscheinungsdatum
Verlagsort New Delhi
Sprache englisch
Gewicht 494 g
Themenwelt Kunst / Musik / Theater
Geisteswissenschaften Geschichte Regional- / Ländergeschichte
Geschichte Teilgebiete der Geschichte Kulturgeschichte
ISBN-10 0-19-948359-0 / 0199483590
ISBN-13 978-0-19-948359-4 / 9780199483594
Zustand Neuware
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