Chinese Film Festivals
Palgrave Macmillan (Verlag)
978-1-349-71702-6 (ISBN)
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Chris Berry is Professor of Film Studies at King's College London, UK. His primary publications include Cinema and the National: China on Screen; Postsocialist Cinema in Post-Mao China: the Cultural Revolution after the Cultural Revolution; Public Space, Media Space; and The New Chinese Documentary Film Movement: For the Public Record. Luke Robinson is Lecturer in Film Studies at the University of Sussex, UK. He is the author of Independent Chinese Documentary: From the Studio to the Street, and book chapters and articles on Chinese-language feature film, animation, documentary, and film festivals.
.Introduction.-
.Section 1: Translating the Film Festival.-
.A: International Film Festivals in the Chinese Speaking World.-
.1. Chris Berry, "Shanghai and Hong Kong: A Tale of Two Festivals.".-
.2. Elena Pollacchi, "'Mature at Birth': The Beijing International Film Festival between the National Film Industry and the International Film Circuit.".-
.3. Ming-yeh T. Rawnsley, "Culture Translation between 'Local' and 'International': The Golden Harvest Award Festival in Taiwan.".-
.B: Specialized Independent and Small Film Festivals in the Chinese-Speaking World.-
.4. Hongwei Bao, "Queer as Catachresis: The Beijing Queer Film Festival in Cultural Translation.".-
.5. Flora Lichaa, "The Beijing Independent Film Festival: Translating the Non-Profit Model into China.".-
.6. Nikki J.Y. Lee and Julian Stringer, "'China's Sundance' and Corporate Culture: Creating Space for Young Talent at the Tudou Video Festival.".-
.7. Esther C.M. Yau, "What Can Small Festivals Do? Towards Film Festivals as Testimony to Expanded Civic Engagement in Post-handover Hong Kong.".-.8. Sabrina Qiong Yu and Lydia Dan Wu, "The China Independent Film Festival and Chinese Independent Film Festivals: Self-Legitimization and Institutionalization.".-
.C: Chinese Film Festivals Outside the Chinese-Speaking World.-
.9. Luke Robinson, "Sole Traders, Cultural Brokers, and Chinese-Language Film Festivals in the United Kingdom: The London Taiwan Cinefest and the Chinese Visual Festival.".-
.Section 2: Translating Culture.-
.A: International Film Festivals in the Chinese-Speaking World.-
.10. Dina Iordanova, "Yingying, Zhenzhen and Fenfen? China at the Festivals.".-
.11. Ma Ran, "Programming China at the Hong Kong International Film Festival and the Shanghai International Film Festival.".-
.12. Gina Marchetti, "Clara Law's Red Earth: The Hong Kong International Film Festival and the Cultural Politics of the Sponsored Short.".-
.B: Specialized Film Festivals in the Chinese-Speaking World.-
.13. Jenny Chio, "Rural Films in an Urban Festival: Community Media and Cultural Translation at the Yunnan Multi Culture Visual Festival.".-
.14. Su-Anne Yeo, "Translating the Margins: New Asian Cinema, Independent Cinema, and Minor Transnationalism at the Hong Kong Asian Film Festival.".-
.15. Cindy Wong, "Translating Chinese Film Festivals - Three Cases in New York."
.C: Chinese Film Festivals outside the Chinese-Speaking World.-
.Chinese Character Lists.-
.Notes on Contributors.
Erscheinungsdatum | 20.12.2018 |
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Reihe/Serie | Framing Film Festivals |
Zusatzinfo | 6 Illustrations, color; XI, 376 p. 6 illus. in color. |
Verlagsort | Basingstoke |
Sprache | englisch |
Maße | 148 x 210 mm |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
Schlagworte | Arts • Asia • Asian cinema • Asian culture • China • Cinema • Culture • directing • Film • film and television • Film History • Genre • History • Video |
ISBN-10 | 1-349-71702-9 / 1349717029 |
ISBN-13 | 978-1-349-71702-6 / 9781349717026 |
Zustand | Neuware |
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