Images of Apartheid
Filmmaking on the Fringe in the Old South Africa
Seiten
2021
Edinburgh University Press (Verlag)
978-1-4744-5002-7 (ISBN)
Edinburgh University Press (Verlag)
978-1-4744-5002-7 (ISBN)
Images of Apartheid: Filmmaking on the Fringe in the Old South Africa is an exploration of the low budget, black-action cinema that emerged in South Africa during the 1970s and led to subsequent gangster and race-conflict films that defined an era of prolific genre activity.
Images of Apartheid: Filmmaking on the Fringe in the Old South Africa is an exploration of the low budget, black-action cinema that emerged in South Africa during the 1970s and led to subsequent gangster and race-conflict films that defined an era of prolific genre activity, from Joe Bullet (1973) to American Ninja 4 (1990). Contextualising and documenting the cheap, government-funded 'B-Scheme' films, largely unseen since the fall of the National Party, but also acknowledging the impact of international co-productions such as The Wild Geese (1978) and locally made provocation, including the classic Mapantsula (1988), this study is an exhaustive tour of race-representation and state-subsidised subversion. Also discussing the political turbulence of the era, Images of Apartheid argues that so-called 'ZAxploitation' should be considered within both localised and wider international paracinematic networks of genre adaptation, resulting in the identification of a uniquely South African form of trash and treasure, and schlock and awe.
Images of Apartheid: Filmmaking on the Fringe in the Old South Africa is an exploration of the low budget, black-action cinema that emerged in South Africa during the 1970s and led to subsequent gangster and race-conflict films that defined an era of prolific genre activity, from Joe Bullet (1973) to American Ninja 4 (1990). Contextualising and documenting the cheap, government-funded 'B-Scheme' films, largely unseen since the fall of the National Party, but also acknowledging the impact of international co-productions such as The Wild Geese (1978) and locally made provocation, including the classic Mapantsula (1988), this study is an exhaustive tour of race-representation and state-subsidised subversion. Also discussing the political turbulence of the era, Images of Apartheid argues that so-called 'ZAxploitation' should be considered within both localised and wider international paracinematic networks of genre adaptation, resulting in the identification of a uniquely South African form of trash and treasure, and schlock and awe.
Calum Waddell, Lecturer in Film, University of Aberdeen.
Erscheinungsdatum | 18.10.2021 |
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Reihe/Serie | Traditions in World Cinema |
Zusatzinfo | 20 B/W illustrations |
Verlagsort | Edinburgh |
Sprache | englisch |
Maße | 156 x 234 mm |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Kunst / Musik / Theater ► Theater / Ballett | |
Geschichte ► Teilgebiete der Geschichte ► Wirtschaftsgeschichte | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 1-4744-5002-4 / 1474450024 |
ISBN-13 | 978-1-4744-5002-7 / 9781474450027 |
Zustand | Neuware |
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