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Natural History in Early Modern France

The Poetics of an Epistemic Genre
Buch | Hardcover
294 Seiten
2018
Brill (Verlag)
978-90-04-37569-7 (ISBN)
120,91 inkl. MwSt
Garrod, Smith and the contributors of the volume envisage the longue durée poetics of an early modern genre. They interpret its poetics alongside its various epistemic agenda and make a case for the literary status of natural history.
Natural History in Early Modern France offers a longue durée account of recurring poetic structures of the genre through case studies spanning from the Renaissance to the eve of the nineteenth century.
These case studies reveal the lasting epistemic importance of bookish knowledge and commonplacing in the natural-historical description from Belon to Buffon. They also highlight the French reception of Baconianism.
Natural History in Early Modern France makes a case for the literary status of the genre by attending to the permanence of its 'Plinian' features, such as wonders. Natural history was not only concerned with increasingly rational modes of ordering natural particulars: this book reveals its enduring social, affective, spiritual, and aesthetic underpinnings.

Contributors are: Peter Anstey, Susan Broomhall, Isabelle Charmantier, Arlette Fruet, Raphaële Garrod, Paul Gibbard, Dana Jalobeanu, Myriam Marrache-Gouraud, Stéphane Schmitt, Paul J. Smith, and Stéphane Van Damme.

Raphaële Garrod, Ph.D. (2011), Trinity College, Cambridge, is research associate at Cambridge and incoming associate professor of early modern French at the University of Oxford. She has published on early modern French and neo-Latin intellectual history and literature. Paul J. Smith, Ph.D. (1985), Leiden University, is professor of French literature at that University. He has published widely on early modern French literature, its reception in the Netherlands, and early modern natural history.

Acknowledgements

Figures and Tables

Notes on the Editors

Notes on the Contributors



1 Introduction. Knowledge and Literature: The Natural-Historical Description as Epistemic Genre?

 Raphaële Garrod



2 Deux recueils d’illustrations ornithologiques : les Icones avium (1555 et 1560) de Conrad Gessner et les Portraits d’oyseaux (1557) de Pierre Belon

 Paul J. Smith



3 Feeling Divine Nature: Natural History, Emotions and Bernard Palissy’s Knowledge Practice

 Susan Broomhall



4 L’idée d’un oiseau : l’oiseau de paradis ou la fabrication d’une merveille (XVIe et XVIIe siècles)

 Arlette Fruet



5 Du nouveau sur la licorne : le rôle des cabinets de curiosités dans l’avancée des savoirs

 Myriam Marrache-Gouraud



6 The Natural-Historical Rejuvenation of Emblematics: The Moral Pedagogy of Nicolas Caussin’s Polyhistor Symbolicus

 Raphaële Garrod



7 Natural History and Divertissement: J.B. Faultrier’s Traitté general des oyseaux (1660)

 Isabelle Charmantier



8 At the Borders of the Metropolis: Writing the Natural History of Paris in the Eighteenth Century

 Stéphane Van Damme



9 Rewriting Bacon’s Natural History: Pierre Amboise’s Translation of Sylva Sylvarum

 Dana Jalobeanu



10 Bacon, Experimental Philosophy and French Enlightenment Natural History

 Peter R. Anstey



11 La permanence des savoirs antiques dans l’histoire naturelle du second XVIIIe siècle

 Stéphane Schmitt



12 Empiricism and Sensibility in the Australian Journal of Théodore Leschenault de La Tour (1800-1803)

 Paul Gibbard



Index Nominum

Erscheinungsdatum
Reihe/Serie Intersections ; 58
Verlagsort Leiden
Sprache englisch
Maße 155 x 235 mm
Gewicht 623 g
Themenwelt Geschichte Allgemeine Geschichte Neuzeit (bis 1918)
Geisteswissenschaften Geschichte Geschichtstheorie / Historik
Geisteswissenschaften Geschichte Regional- / Ländergeschichte
Geisteswissenschaften Philosophie Geschichte der Philosophie
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
ISBN-10 90-04-37569-4 / 9004375694
ISBN-13 978-90-04-37569-7 / 9789004375697
Zustand Neuware
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