Collected Essays (eBook)

AN AUTUMN EFFECT — 1875

‘Nous ne decrivons jamais mieux la nature que lorsque nous nous efforcons d’exprimer sobrement et simplement l’impression que nous en avons recue.’ — M. Andre Theuriet, ‘L’Automne dans les Bois,’ Revue des Deux Mondes, 1st Oct. 1874, p.562.

A country rapidly passed through under favourable auspices may leave upon us a unity of impression that would only be disturbed and dissipated if we stayed longer. Clear vision goes with the quick foot. Things fall for us into a sort of natural perspective when we see them for a moment in going by; we generalise boldly and simply, and are gone before the sun is overcast, before the rain falls, before the season can steal like a dial-hand from his figure, before the lights and shadows, shifting round towards nightfall, can show us the other side of things, and belie what they showed us in the morning. We expose our mind to the landscape (as we would expose the prepared plate in the camera) for the moment only during which the effect endures; and we are away before the effect can change. Hence we shall have in our memories a long scroll of continuous wayside pictures, all imbued already with the prevailing sentiment of the season, the weather and the landscape, and certain to be unified more and more, as time goes on, by the unconscious processes of thought. So that we who have only looked at a country over our shoulder, so to speak, as we went by, will have a conception of it far more memorable and articulate than a man who has lived there all his life from a child upwards, and had his impression of to-day modified by that of to-morrow, and belied by that of the day after, till at length the stable characteristics of the country are all blotted out from him behind the confusion of variable effect.

I begin my little pilgrimage in the most enviable of all humours: that in which a person, with a sufficiency of money and a knapsack, turns his back on a town and walks forward into a country of which he knows only by the vague report of others. Such an one has not surrendered his will and contracted for the next hundred miles, like a man on a railway. He may change his mind at every finger-post, and, where ways meet, follow vague preferences freely and go the low road or the high, choose the shadow or the sun-shine, suffer himself to be tempted by the lane that turns immediately into the woods, or the broad road that lies open before him into the distance, and shows him the far-off spires of some city, or a range of mountain-tops, or a rim of sea, perhaps, along a low horizon. In short, he may gratify his every whim and fancy, without a pang of reproving conscience, or the least jostle to his self-respect. It is true, however, that most men do not possess the faculty of free action, the priceless gift of being able to live for the moment only; and as they begin to go forward on their journey, they will find that they have made for themselves new fetters. Slight projects they may have entertained for a moment, half in jest, become iron laws to them, they know not why. They will be led by the nose by these vague reports of which I spoke above; and the mere fact that their informant mentioned one village and not another will compel their footsteps with inexplicable power. And yet a little while, yet a few days of this fictitious liberty, and they will begin to hear imperious voices calling on them to return; and some passion, some duty, some worthy or unworthy expectation, will set its hand upon their shoulder and lead them back into the old paths. Once and again we have all made the experiment. We know the end of it right well. And yet if we make it for the hundredth time to-morrow: it will have the same charm as ever; our heart will beat and our eyes will be bright, as we leave the town behind us, and we shall feel once again (as we have felt so often before) that we are cutting ourselves loose for ever from our whole past life, with all its sins and follies and circumscriptions, and go forward as a new creature into a new world.

It was well, perhaps, that I had this first enthusiasm to encourage me up the long hill above High Wycombe; for the day was a bad day for walking at best, and now began to draw towards afternoon, dull, heavy, and lifeless. A pall of grey cloud covered the sky, and its colour reacted on the colour of the landscape. Near at hand, indeed, the hedgerow trees were still fairly green, shot through with bright autumnal yellows, bright as sunshine. But a little way off, the solid bricks of woodland that lay squarely on slope and hill-top were not green, but russet and grey, and ever less russet and more grey as they drew off into the distance. As they drew off into the distance, also, the woods seemed to mass themselves together, and lie thin and straight, like clouds, upon the limit of one’s view. Not that this massing was complete, or gave the idea of any extent of forest, for every here and there the trees would break up and go down into a valley in open order, or stand in long Indian file along the horizon, tree after tree relieved, foolishly enough, against the sky. I say foolishly enough, although I have seen the effect employed cleverly in art, and such long line of single trees thrown out against the customary sunset of a Japanese picture with a certain fantastic effect that was not to be despised; but this was over water and level land, where it did not jar, as here, with the soft contour of hills and valleys. The whole scene had an indefinable look of being painted, the colour was so abstract and correct, and there was something so sketchy and merely impressional about these distant single trees on the horizon that one was forced to think of it all as of a clever French landscape. For it is rather in nature that we see resemblance to art, than in art to nature; and we say a hundred times, ‘How like a picture!’ for once that we say, ‘How like the truth!’ The forms in which we learn to think of landscape are forms that we have got from painted canvas. Any man can see and understand a picture; it is reserved for the few to separate anything out of the confusion of nature, and see that distinctly and with intelligence.

The sun came out before I had been long on my way; and as I had got by that time to the top of the ascent, and was now treading a labyrinth of confined by-roads, my whole view brightened considerably in colour, for it was the distance only that was grey and cold, and the distance I could see no longer. Overhead there was a wonderful carolling of larks which seemed to follow me as I went. Indeed, during all the time I was in that country the larks did not desert me. The air was alive with them from High Wycombe to Tring; and as, day after day, their ‘shrill delight’ fell upon me out of the vacant sky, they began to take such a prominence over other conditions, and form so integral a part of my conception of the country, that I could have baptized it ‘The Country of Larks.’ This, of course, might just as well have been in early spring; but everything else was deeply imbued with the sentiment of the later year. There was no stir of insects in the grass. The sunshine was more golden, and gave less heat than summer sunshine; and the shadows under the hedge were somewhat blue and misty. It was only in autumn that you could have seen the mingled green and yellow of the elm foliage, and the fallen leaves that lay about the road, and covered the surface of wayside pools so thickly that the sun was reflected only here and there from little joints and pinholes in that brown coat of proof; or that your ear would have been troubled, as you went forward, by the occasional report of fowling-pieces from all directions and all degrees of distance.

For a long time this dropping fire was the one sign of human activity that came to disturb me as I walked. The lanes were profoundly still. They would have been sad but for the sunshine and the singing of the larks. And as it was, there came over me at times a feeling of isolation that was not disagreeable, and yet was enough to make me quicken my steps eagerly when I saw some one before me on the road. This fellow-voyager proved to be no less a person than the parish constable. It had occurred to me that in a district which was so little populous and so well wooded, a criminal of any intelligence might play hide-and-seek with the authorities for months; and this idea was strengthened by the aspect of the portly constable as he walked by my side with deliberate dignity and turned-out toes. But a few minutes’ converse set my heart at rest. These rural criminals are very tame birds, it appeared. If my informant did not immediately lay his hand on an offender, he was content to wait; some evening after nightfall there would come a tap at his door, and the outlaw, weary of outlawry, would give himself quietly up to undergo sentence, and resume his position in the life of the country-side. Married men caused him no disquietude whatever; he had them fast by the foot. Sooner or later they would come back to see their wives, a peeping neighbour would pass the word, and my portly constable would walk quietly over and take the bird sitting. And if there were a few who had no particular ties in the neighbourhood, and preferred to shift into another county when they fell into trouble, their departure moved the placid constable in no degree. He was of Dogberry’s opinion; and if a man would not stand in the Prince’s name, he took no note of him, but let him go, and thanked God he was rid of a knave. And surely the crime and the law were in admirable keeping; rustic constable was well met with rustic offender. The officer sitting at home over a bit of fire until the criminal came...