Sketches and Studies (eBook)
429 Seiten
Seltzer Books (Verlag)
978-1-4553-9110-3 (ISBN)
This book includes: Life of Franklin Pierce, Chiefly about War Matters, Alice Doane's Appeal, and The Ancestral Footstep. According to Wikipedia: "e;Nathaniel Hawthorne (1804 -1864) was an American novelist and short story writer... Much of Hawthorne's writing centers around New England and many feature moral allegories with a Puritan inspiration. His fiction works are considered part of the Romantic movement and, more specifically, dark romanticism. His themes often center on the inherent evil and sin of humanity and his works often have moral messages and deep psychological complexity. His published works include novels, short stories, and a biography of his friend Franklin Pierce."e;
ALICE DOANE'S APPEAL.
On a pleasant afternoon of June, it was my good fortune to be the companion of two young ladies in a walk. The direction of our course being left to me, I led them neither to Legge's Hill, nor to the Cold Spring, nor to the rude shores and old batteries of the Neck, nor yet to Paradise; though if the latter place were rightly named, my fair friends would have been at home there. We reached the outskirts of the town, and turning aside from a street of tanners and curriers, began to ascend a hill, which at a distance, by its dark slope and the even line of its summit, resembled a green rampart along the road. It was less steep than its aspect threatened. The eminence formed part of an extensive tract of pasture land, and was traversed by cow paths in various directions; but, strange to tell, though the whole slope and summit were of a peculiar deep green, scarce a blade of grass was visible from the base upward. This deceitful verdure was occasioned by a plentiful crop of "wood-wax," which wears the same dark and glossy green throughout the summer, except at one short period, when it puts forth a profusion of yellow blossoms. At that season, to a distant spectator, the hill appears absolutely overlaid with gold, or covered with a glory of sunshine, even beneath a clouded sky. But the curious wanderer on the hill will perceive that all the grass, and everything that should nourish man or beast, has been destroyed by this vile and ineradicable weed: its tufted roots make the soil their own, and permit nothing else to vegetate among them; so that a physical curse may be said to have blasted the spot, where guilt and frenzy consummated the most execrable scene that our history blushes to record. For this was the field where superstition won her darkest triumph; the high place where our fathers set up their shame, to the mournful gaze of generations far remote. The dust of martyrs was beneath our feet. We stood on Gallows Hill.
For my own part, I have often courted the historic influence of the spot. But it is singular how few come on pilgrimage to this famous hill; how many spend their lives almost at its base, and never once obey the summons of the shadowy past, as it beckons them to the summit. Till a year or two since, this portion of our history had been very imperfectly written, and, as we are not a people of legend or tradition, it was not every citizen of our ancient town that could tell, within half a century, so much as the date of the witchcraft delusion. Recently, indeed, an historian has treated the subject in a manner that will keep his name alive, in the only desirable connection with the errors of our ancestry, by converting the hill of their disgrace into an honorable monument of his own antiquarian lore, and of that better wisdom, which draws the moral while it tells the tale. But we are a people of the present, and have no heartfelt interest in the olden time. Every fifth of November, in commemoration of they know not what, or rather without an idea beyond the momentary blaze, the young men scare the town with bonfires on this haunted height, but never dream of paying funeral honors to those who died so wrongfully, and, without a coffin or a prayer, were buried here.
Though with feminine susceptibility, my companions caught all the melancholy associations of the scene, yet these could but imperfectly overcome the gayety of girlish spirits. Their emotions came and went with quick vicissitude, and sometimes combined to form a peculiar and delicious excitement, the mirth brightening the gloom into a sunny shower of feeling, and a rainbow in the mind. My own more sombre mood was tinged by theirs. With now a merry word and next a sad one, we trod among the tangled weeds, and almost hoped that our feet would sink into the hollow of a witch's grave. Such vestiges were to be found within the memory of man, but have vanished now, and with them, I believe, all traces of the precise spot of the executions. On the long and broad ridge of the eminence, there is no very decided elevation of any one point, nor other prominent marks, except the decayed stumps of two trees, standing near each other, and here and there the rocky substance of the hill, peeping just above the wood-wax.
There are few such prospects of town and village, woodland and cultivated field, steeples and country seats, as we beheld from this unhappy spot. No blight had fallen on old Essex; all was prosperity and riches, healthfully distributed. Before us lay our native town, extending from the foot of the hill to the harbor, level as a chess board, embraced by two arms of the sea, and filling the whole peninsula with a close assemblage of wooden roofs, overtopped by many a spire, and intermixed with frequent heaps of verdure, where trees threw up their shade from unseen trunks. Beyond was the bay and its islands, almost the only objects, in a country unmarked by strong natural features, on which time and human toil had produced no change. Retaining these portions of the scene, and also the peaceful glory and tender gloom of the declining sun, we threw, in imagination, a veil of deep forest over the land, and pictured a few scattered villages, and this old town itself a village, as when the prince of hell bore sway there. The idea thus gained of its former aspect, its quaint edifices standing far apart, with peaked roofs and projecting stories, and its single meeting-house pointing up a tall spire in the midst; the vision, in short, of the town in 1692, served to introduce a wondrous tale of those old times.
I had brought the manuscript in my pocket. It was one of a series written years ago, when my pen, now sluggish and perhaps feeble, because I have not munch to hope or fear, was driven by stronger external motives and a more passionate impulse within, than I am fated to feel again. Three or four of these tales had appeared in the "Token," after a long time and various adventures, but had encumbered me with no troublesome notoriety, even in my birthplace. One great heap had met a brighter destiny: they had fed the flames; thoughts meant to delight the world and endure for ages had perished in a moment, and stirred not a single heart but mine. The story now to be introduced, and another, chanced to be in kinder custody at the time, and thus, by no conspicuous merits of their own, escaped destruction.
The ladies, in consideration that I had never before intruded my performances on them, by any but the legitimate medium, through the press, consented to hear me read. I made them sit down on a moss-grown rock, close by the spot where we chose to believe that the death tree had stood. After a little hesitation on my part, caused by a dread of renewing my acquaintance with fantasies that had lost their charm in the ceaseless flux of mind, I began the tale, which opened darkly with the discovery of a murder.
A hundred years, and nearly half that time, have elapsed since the body of a murdered man was found, at about the distance of three miles, on the old road to Boston. He lay in a solitary spot, on the bank of a small lake, which the severe frost of December had covered with a sheet of ice. Beneath this, it seemed to have been the intention of the murderer to conceal his victim in a chill and watery grave, the ice being deeply hacked, perhaps with the weapon that had slain him, though its solidity was too stubborn for the patience of a man with blood upon his hand. The corpse therefore reclined on the earth, but was separated from the road by a thick growth of dwarf pines. There had been a slight fall of snow during the night, and as if nature were shocked at the deed, and strove to hide it with her frozen tears, a little drifted heap had partly buried the body, and lay deepest over the pale dead face. An early traveller, whose dog had led him to the spot, ventured to uncover the features, but was affrighted by their expression. A look of evil and scornful triumph had hardened on them, and made death so life-like and so terrible, that the beholder at once took flight, as swiftly as if the stiffened corpse would rise up and follow.
I read on, and identified the body as that of a young man, a stranger in the country, but resident during several preceding months in the town which lay at our feet. The story described, at some length, the excitement caused by the murder, the unavailing quest after the perpetrator, the funeral ceremonies, and other commonplace matters, in the course of which, I brought forward the personages who were to move among the succeeding events. They were but three. A young man and his sister; the former characterized by a diseased imagination and morbid feelings; the latter, beautiful and virtuous, and instilling something of her own excellence into the wild heart of her brother, but not enough to cure the deep taint of his nature. The third person was a wizard; a small, gray, withered man, with fiendish ingenuity in devising evil, and superhuman power to execute it, but senseless as an idiot and feebler than a child to all better purposes. The central scene of the story was an interview between this wretch and Leonard Doane, in the wizard's hut, situated beneath a range of rocks at some distance from the town. They sat beside a smouldering fire, while a tempest of wintry rain was beating on the roof.
The young man spoke of the closeness of the tie which united him and Alice, the consecrated fervor of their affection from childhood upwards, their sense of...
Erscheint lt. Verlag | 1.3.2018 |
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Sprache | englisch |
Themenwelt | Literatur ► Briefe / Tagebücher |
Literatur ► Romane / Erzählungen | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 1-4553-9110-7 / 1455391107 |
ISBN-13 | 978-1-4553-9110-3 / 9781455391103 |
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