Tradition and Creativity in Korean Taegŭm Flute Performance - Hyelim Kim

Tradition and Creativity in Korean Taegŭm Flute Performance

(Autor)

Buch | Hardcover
184 Seiten
2021
Routledge (Verlag)
978-0-8153-7912-6 (ISBN)
168,35 inkl. MwSt
Tradition and Creativity in Korean Taegŭm Flute Performance describes the taegŭm as a representation of Korean culture in the contemporary world. Through the development and performance of creative works, this horizontal bamboo flute reflects both tradition and contemporary creativity. The first part of the book outlines the historical background of the taegŭm. The author illuminates the potential future of the Korean flute in a globalised world through the analyses of three musical works for taegŭm. The second part of the book draws on approaches of Practice Research within ethnomusicology and sociology to examine the ways in which the taegŭm tradition interacts with, and responds to, different genres in performance. Documenting collaborative encounters with musicians from three musical cultures: jazz, Western art and electroacoustic music, the result is an innovative exploration of the musical and social relationships between composers, performers and audiences in intercultural performances, contrasting traditional uses of the taegŭm with perspectives on its use today.

Dr Hyelim Kim is a world-renowned traditional Korean taegum performer and academic, who is a Visiting Research Fellow, Bath Spa University (UK).

Introduction

Learner’s Position

Performer’s Position

History and Background of the Taegŭm

History of the Taegŭm

Court and Folk Taegŭm

Notations for the Taegŭm

The Contemporary Practices of the Taegŭm

Nationalism and Orientalism

Orientalism and Korean Traditional Music

Nationalism and Korean Traditional music

Music Analysis I: Youngdong Kim

‘Sŏn: Zen’

‘Manp’a shik chŏk’

Music Analysis II: Sukhi Kang

‘Manp’a’

Music Analysis III: Sngkn Kim

‘Sujech’ŏn’

‘Taegŭm Quartet 2006’

Performance I: Jazz

The History of Korean Jazz

Collaboration with Simon Barker

Performance II: Western Art Music

Composer, Dae-seong Kim

Universal Gestures in Nongŭm

Performance III: Electroacoustics

Improvisation

The Sori Art Project

‘Pojagi’

Conclusion

Interviews

Bibliography

Chronicles/Annals

Discography

Erscheinungsdatum
Reihe/Serie SOAS Studies in Music
Zusatzinfo 42 Line drawings, black and white; 9 Halftones, black and white; 51 Illustrations, black and white
Verlagsort New York
Sprache englisch
Maße 156 x 234 mm
Gewicht 453 g
Themenwelt Kunst / Musik / Theater Musik Instrumentenkunde
Geisteswissenschaften Psychologie Allgemeine Psychologie
Geisteswissenschaften Psychologie Verhaltenstherapie
ISBN-10 0-8153-7912-9 / 0815379129
ISBN-13 978-0-8153-7912-6 / 9780815379126
Zustand Neuware
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