Raymond Jonson and the Spiritual in Modernist and Abstract Painting
Routledge (Verlag)
978-1-138-71254-6 (ISBN)
Herbert Hartel is Adjunct Associate Professor of Art History at John Jay College, CUNY.
Contents
Acknowledgments
List of Illustrations
Introduction: Raymond Jonson and Twentieth Century American Art: Reconsidering the Canonical in American Art History and the Spiritual in American Modernist Painting
Chapter One: "Art Is as Broad as Space": Jonson’s Early Years in the West and Chicago
Chapter Two: "The Land of Sunshine and Color and Tragedy": New Mexico and Jonson’s Landscape Paintings and Compositions
Chapter Three: "These Are the Second Attack on the Abstract": the Thematic, Conceptual Series Paintings of 1929-1936
Chapter Four: "A More Intense Participation in the Life of the Spirit": Jonson’s First Totally Abstract Paintings, His Theories of Art and the Transcendental Painting Group
Chapter Five: "Fast Arriving and Spontaneous Combustions of Color–space–line and Design": Absolute Painting, 1938-1950
Chapter Six: "Causing the Surface to Come to Life": Jonson’s Late Career, 1950-1978
References
Index
Erscheinungsdatum | 05.04.2018 |
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Reihe/Serie | Routledge Research in Art History |
Zusatzinfo | 40 Halftones, color; 36 Halftones, black and white; 40 Illustrations, color; 36 Illustrations, black and white |
Verlagsort | London |
Sprache | englisch |
Maße | 178 x 254 mm |
Gewicht | 700 g |
Themenwelt | Kunst / Musik / Theater ► Allgemeines / Lexika |
Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
Kunst / Musik / Theater ► Malerei / Plastik | |
Geisteswissenschaften ► Geschichte ► Regional- / Ländergeschichte | |
Geisteswissenschaften ► Religion / Theologie | |
ISBN-10 | 1-138-71254-X / 113871254X |
ISBN-13 | 978-1-138-71254-6 / 9781138712546 |
Zustand | Neuware |
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