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Rembrandt and his Circle

Insights and Discoveries

Stephanie Dickey (Herausgeber)

Buch | Hardcover
420 Seiten
2017
Amsterdam University Press (Verlag)
978-94-6298-400-4 (ISBN)
186,95 inkl. MwSt
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This collection brings together art historians, museum professionals, conservators, and conservation scientists whose work involves Rembrandt van Rijn and associated artists such as Gerrit Dou, Jan Lievens, and Ferdinand Bol. The range of subjects considered is wide: from the presentation of convincing evidence that Rembrandt and his contemporary Frans Hals rubbed elbows in the Amsterdam workshop of Hendrick Uylenburgh to critical reassessments of the role of printmaking in Rembrandt's studio, his competition with Lievens as a landscape painter, his reputation as a collector, and much more. Developed from a series of international conferences devoted to charting new directions in Rembrandt research, these essays illuminate the current state of Rembrandt studies and suggest avenues for future inquiry.

Stephanie Dickey (editor) holds the Bader Chair in Northern Baroque Art at Queen's University in Kingston, Ontario, Canada. She is the author of Rembrandt: Portraits in Print (2006) and numerous articles and book chapters on the art of Rembrandt, Jan Lievens, Anthony van Dyck, and their contemporaries, with a focus on the cultural significance of portraiture and printmaking in early modern Europe. With Herman Roodenburg, she co-edited Volume 60 of the Nederlands Kunsthistorisch Jaarboek: The Passions in the Arts of the Early Modern Netherlands (Zwolle: Waanders, 2010).

Acknowledgments Introduction Stephanie S. Dickey 1 Rembrandt and Frans Hals Painting in the Workshop of Hendrick Uylenburgh S.A.C. Dudok van Heel 2 Rembrandt and the ‘Germanic’ Style Thijs Weststeijn 3 Rembrandt and the Humanist Ideal of the Universal Painter Boudewijn Bakker 4 Curiosity and Desire: Rembrandt’s Collection as Historiographic Barometer H. Perry Chapman 5 Painted Landscapes by Lievens and Rembrandt: The View from Seventeenth-Century Amsterdam Collections Jacquelyn N. Coutré 6 Jan Lievens in Antwerp: Three Rediscovered Works Stephanie S. Dickey 7 Gerrit Dou as a Pupil of Rembrandt Martin Bijl 8 A New Painting by Jan van Noordt in Budapest Ildikó Ember 9 Rembrandt's First Nude? The Recent Analysis of Susanna and the Elders from Rembrandt’s Workshop Katja Kleinert and Claudia Laurenze-Landsberg 10 Rembrandt's Head of Christ: Some Technical Observations concerning Matters of Style Arie Wallert and Michel van der Laar 11 A Rediscovered Head of John the Baptist on a Platter from Rembrandt’s Studio Lloyd DeWitt 12 Rembrandt’s One Guilder Print: Value and Invention in ‘the most beautiful [print] that ever came from the burin of this master’ Amy Golahny 13 Rembrandt, Ferdinand Bol, and Tobit: The Emergence of a Pathosträger Jan Leja 14 Biblical Iconography in the Graphic Work of Rembrandt’s Circle Peter van der Coelen 15 Jan van Vliet and Rembrandt van Rijn: Their Collaboration Reassessed Jaco Rutgers 16 Printmaking among Artists of the Rembrandt School Nadine M. Orenstein 17 Chain Line Pattern Matching and Rembrandt’s Prints C. Richard Johnson, Jr., William A. Sethares, Margaret Holben Ellis, Saira Haqqi, Reba Snyder, Erik Hinterding, Idelette van Leeuwen, Arie Wallert, Dionysia Christoforou, Jan van der Lubbe, Nadine M. Orenstein, Angela Campbell, and George Dietz About the Authors List of Illustrations Bibliography Index Nominum

Erscheinungsdatum
Reihe/Serie Amsterdam Studies in the Dutch Golden Age
Co-Autor Boudewijn Bakker, Martin Bijl, H. Chapman, Pieter Coelen
Zusatzinfo 30 Illustrations, color; 200 Illustrations, black and white
Verlagsort Amsterdam
Sprache englisch
Maße 210 x 260 mm
Themenwelt Kunst / Musik / Theater Kunstgeschichte / Kunststile
Geschichte Allgemeine Geschichte Neuzeit (bis 1918)
ISBN-10 94-6298-400-X / 946298400X
ISBN-13 978-94-6298-400-4 / 9789462984004
Zustand Neuware
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