Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts
Routledge (Verlag)
978-1-138-27605-5 (ISBN)
Dr Claire Mabilat is an independent scholar living in France and formerly lectured part-time at Durham University, UK.
Contents: Preface; Introduction: orientalism and its relation to music and musical representation. Part I The Musical Stage: An introduction to British opera and musical stage works in the long 19th century; Sexualising the other; An angel/demon dualism. Part II Works of Fiction: Rider Haggard and His Milieu: Literature and orientalism: contextualizing Rider Haggard; 'The lady of the night hath a sweet voice, and she will not sing in vain': Haggard's women - sexuality, music and the other; Haggard's constructions of African masculinity: otherness, violence and music; '[T]hat unknown man's singing has stirred you deeply': E.M. Hull's The Sheik - an exploration of orientalized gender. Part III Visual culture: Hearing art: an introduction; Visually realizing the fictions of H. Rider Haggard; 'High art' and the musical 'orient'; Staging the photographic 'orient'; Conclusion; Bibliography; Index.
Erscheinungsdatum | 08.01.2017 |
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Reihe/Serie | Music in Nineteenth-Century Britain |
Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Gewicht | 453 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
Kunst / Musik / Theater ► Musik ► Pop / Rock | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
Sozialwissenschaften ► Soziologie ► Spezielle Soziologien | |
ISBN-10 | 1-138-27605-7 / 1138276057 |
ISBN-13 | 978-1-138-27605-5 / 9781138276055 |
Zustand | Neuware |
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