The Figure of Music in Nineteenth-Century British Poetry
Routledge (Verlag)
978-1-138-26356-7 (ISBN)
Phyllis Weliver is Assistant Professor of English at Saint Louis University, USA
Contents: Introduction; Scotch drink & Irish harps: mediations of the national air, Celeste Langan; 'Suspended' sense in Alastor: Shelley's musical trope and 18th-century medical discourse, Kimiyo Ogawa; On music framed: the Eolian harp in romantic writing, Susan Bernstein; Music and inspiration in Blake's poetry, John Hughes; 'Music their larger soul': George Eliot's 'The Legend of Jubal' and Victorian musicality, Ruth A. Solie; Musical reactions to Tennyson: reformulating musical imagery in 'The Lotos-Eaters', Michael Allis; 'Monna Innominata' and Christina Rossetti's audible unhappiness, Yeo Wei Wei; The 'silent song' of D.G. Rossetti's The House of Life, Phyllis Weliver; 'The Music Spoke for Us': music and sexuality in fin-de-siècle poetry, Emma Sutton; Sappho recomposed: a song cycle by Granville and Helen Bantock, Yopie Prins; Index.
Erscheinungsdatum | 07.01.2017 |
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Reihe/Serie | Music in Nineteenth-Century Britain |
Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Gewicht | 453 g |
Themenwelt | Literatur |
Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
ISBN-10 | 1-138-26356-7 / 1138263567 |
ISBN-13 | 978-1-138-26356-7 / 9781138263567 |
Zustand | Neuware |
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