Mendelssohn Perspectives
Routledge (Verlag)
978-1-138-26140-2 (ISBN)
Nicole Grimes is a Marie Curie Fellow (2011-14) with joint affiliation at the University of California, Irvine and University College Dublin. She was awarded a PhD at Trinity College Dublin in 2008, for her dissertation on Johannes Brahms, and she was a Deutscher Akademischer Austausch Dienst (DAAD) fellow at the Humboldt-Universität zu Berlin, 2007-2008. Her publications include articles and reviews in several journals, and she is co-editor of a forthcoming volume of essays on Eduard Hanslick. Angela R. Mace is a PhD candidate in musicology at Duke University (MA musicology, 2008), where she is writing her dissertation on the Mendelssohns. Mace was a Deutscher Akademischer Austausch Dienst (DAAD) fellow at the Humboldt-Universität zu Berlin, 2010-11. She received her BMus in piano performance from Vanderbilt University in 2006. Mace revised and enlarged J. Michael Cooper’s Felix Mendelssohn Bartholdy: A Research and Information Guide (New York: Routledge, 2011).
Introduction; I: Mendelssohn's Jewishness; 1: Never Perfectly Beautiful: Physiognomy, Jewishness, and Mendelssohn Portraiture; 2: Mendelssohn's ‘Untergang': Reconsidering the Impact of Wagner’s ‘Judaism in Music’; 3: ‘Wordless Judaism, Like the Songs of Mendelssohn'? Hanslick, Mendelssohn and Cultural Politics in Late Nineteenth-Century Vienna; 4: Mendelssohn's Conversion to Judaism: An English Perspective; II: Between Tradition and Innovation; 5: Norm and Deformation in Mendelssohn's Sonata Forms; 6: Mendelssohn and Berlioz: Selective Affinities; 7: Between Tradition and Innovation: Mendelssohn as Music Director and His Performances of Bach in Leipzig 1; III: Mendelssohn and the Stage; 8: Converting the Pagans: Mendelssohn, Greek Tragedy, and the Christian Ethos; 9: The Phantom of Mendelssohn's Opera: Fictional Accounts and Posthumous Propaganda; IV: Style and Compositional Process; 10: Mendelssohn's Lieder ohne Worte and the Limits of Musical Expression; 11: Improvisation, Elaboration, Composition: The Mendelssohns and the Classical Cadenza 1; 12: Cyclic Form and Musical Memory in Mendelssohn's String Quartet in E-flat Major, Op. 12; V: Contemporary Views and Posthumous Perspectives; 13: A Friendship in Letters: The Correspondence of Felix Mendelssohn Bartholdy and Carl Klingemann; 14: Mendelssohn as Portrayed in the Goethe–Zelter Correspondence; 15: Business is War: Mendelssohn and His Italian Publishers; 16: Beyond the Salon: Mendelssohn's French Audience
Erscheinungsdatum | 07.01.2017 |
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Verlagsort | London |
Sprache | englisch |
Maße | 156 x 234 mm |
Gewicht | 453 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Klassik / Oper / Musical |
Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre | |
Geisteswissenschaften ► Religion / Theologie | |
Sozialwissenschaften ► Soziologie ► Spezielle Soziologien | |
ISBN-10 | 1-138-26140-8 / 1138261408 |
ISBN-13 | 978-1-138-26140-2 / 9781138261402 |
Zustand | Neuware |
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