Shakespeare, Italy, and Transnational Exchange

Early Modern to Present

Enza De Francisci, Chris Stamatakis (Herausgeber)

Buch | Hardcover

326 Seiten

2017
Routledge (Verlag)
978-1-138-66891-1 (ISBN)

Artikel merken

This interdisciplinary, transhistorical collection brings together international scholars from English literature, Italian studies, performance history, and comparative literature to offer new perspectives on the vibrant engagements between Shakespeare and Italian theatre, literary culture, and politics, from the sixteenth to the twenty-first century. Chapters address the intricate, two-way exchange between Shakespeare and Italy: how the artistic and intellectual culture of Renaissance Italy shaped Shakespeare’s drama in his own time, and how the afterlife of Shakespeare’s work and reputation in Italy since the eighteenth century has permeated Italian drama, poetry, opera, novels, and film. Responding to exciting recent scholarship on Shakespeare and Italy, as well as transnational theatre, this volume moves beyond conventional source study and familiar questions about influence, location, and adaptation to propose instead a new, evolving paradigm of cultural interchange. Essays in this volume, ranging in methodology from archival research to repertory study, are unified by an interest in how Shakespeare’s works represent and enact exchanges across the linguistic, cultural, and political boundaries separating England and Italy. Arranged chronologically, chapters address historically-contingent cultural negotiations: from networks, intertextual dialogues, and exchanges of ideas and people in the early modern period to questions of authenticity and formations of Italian cultural and national identity in the eighteenth and nineteenth century. They also explore problems of originality and ownership in twentieth- and twenty-first-century translations of Shakespeare’s works, and new settings and new media in highly personalized revisions that often make a paradoxical return to earlier origins. This book captures, defines, and explains these lively, shifting currents of cultural interchange.

Enza De Francisci is Lecturer in Translation Studies at the University of Glasgow. Chris Stamatakis is Lecturer in English at University College London, UK.

CONTENTS

Acknowledgements

Notes on Contributors

Foreword, Susan Bassnett

Introduction, Enza De Francisci and Chris Stamatakis

PART I:

Early Modern Period

Dialogues and Networks

1. Shakespeare, Florio, and Love’s Labour’s Lost

Giulia Harding and Chris Stamatakis

2. A Tale of Two Tamings: Reading the Early Modern Shrew Debate from a Feminist Transnationalist Perspective

Celia R. Caputi

3. Shakespeare and the Commedia dell’Arte

Robert Henke

4. The Unfinished in Michelangelo and Othello

Rocco Coronato

5. Shakespeare and Italian Republicanism

John Drakakis

6. "A kind of conquest": The Erotics and Aesthetics of Italy in Cymbeline

Subha Mukherji

PART II:

Eighteenth And Nineteenth Centuries

Translation and Collaboration

7. The Eighteenth-Century Reception of Shakespeare: Translations and Adaptations for Italian Audiences

Sandra Pietrini

8. Shakespeare’s Reception in Nineteenth-Century Italy: Giulio Carcano’s Translation of Macbeth

Giovanna Buonanno

9. Verdi’s Shakespeare: Musical Translations and Authenticity

René Weis

10. Eleonora Duse as Juliet and Cleopatra

Anna Sica

11. Representations of Italy in the First Hebrew Translations of Shakespeare

Lily Kahn

12. Through the Fickle Glass: Rewriting and Rethinking Shakespeare’s Sonnets in Italy

Matteo Brera

PART III:

Twentieth Century To The Present

Originality and Ownership

13. Giovanni Grasso: The Other Othello in London

Enza De Francisci

14. Shakespeare, Vittorini, and the Anti-Fascist Struggle

Enrica Maria Ferrara

15. Hamlet’s ghost: The Rewriting of Shakespeare in C. E. Gadda

Giuseppe Stellardi

16. "The rest which is not silence": Shakespeare and Eugenio Montale

Camilla Caporicci

17. Giorgio Strehler’s Il gioco dei potenti: A Shakespearean Master finds his Voice

Mace Perlman

18. Shakespeare behind Italian Bars: The Rebibbia Project, The Tempest, and Caesar must die

Mariangela Tempera

19. Shakespeare, Tradition, and the Avant-garde in Chiara Guidi’s Macbeth su Macbeth su Macbeth

Sonia Massai and Chiara Guidi

Afterword: Shakespeare, an infinite stage

Paolo Puppa

Index

Erscheinungsdatum	15.02.2017
Reihe/Serie	Routledge Studies in Shakespeare
Zusatzinfo	18 Halftones, black and white
Verlagsort	London
Sprache	englisch
Maße	152 x 229 mm
Gewicht	589 g
Themenwelt	Literatur ► Lyrik / Dramatik ► Dramatik / Theater
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Sprachwissenschaft
ISBN-10	1-138-66891-5 / 1138668915
ISBN-13	978-1-138-66891-1 / 9781138668911
Zustand	Neuware