The Haptic Aesthetic in Samuel Beckett’s Drama
Seiten
2013
|
1st ed. 2013
Palgrave Macmillan (Verlag)
978-1-349-44692-6 (ISBN)
Palgrave Macmillan (Verlag)
978-1-349-44692-6 (ISBN)
Samuel Beckett's work is deeply concerned with physical contact - remembered, half-remembered, or imagined. Applying the philosophical writings of Jean-Luc Nancy and Maurice Merleau-Ponty that feature sensation, this study examines how Beckett's later work dramatizes moments of contact between self and self, self and world, and self and other.
Trish McTighe is a teaching assistant in the department of Drama Studies in the School of Creative Arts at Queen s University Belfast.
Introduction: Haptics, Aesthetics, Philosophy 1. Eye: Failing, Myopic, Grainy 2. Ear: Full of Relentless Echoes 3. Mouth: Trying to Tell it All, Failing 4. Skin, Space, Place 5. On the One Hand . . . (The One that Writes the Body) 6. On the Other Hand . . . (The One that Refuses to Touch) Conclusion: Departing Bodies, Between Doubting Thomas and Noli me Tangere ?
| Erscheinungsdatum | 11.08.2016 |
|---|---|
| Reihe/Serie | New Interpretations of Beckett in the Twenty-First Century |
| Zusatzinfo | IX, 196 p. |
| Verlagsort | Basingstoke |
| Sprache | englisch |
| Maße | 140 x 216 mm |
| Themenwelt | Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Schlagworte | Aesthetics • Beckett • Drama • Samuel Beckett • space |
| ISBN-10 | 1-349-44692-0 / 1349446920 |
| ISBN-13 | 978-1-349-44692-6 / 9781349446926 |
| Zustand | Neuware |
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